There's something about the way Consultant Lady talks and looks that made her seem, to me, like Arizona's dark-haired twin. And then there was the flirting-or-sexual harrassment moment. Something about that just doesn't work for me.

If that mode of playing is wrong, I never want to be right.

I honest to goodness don't remember that particular Jehova's Witness patient among all the JWP storylines this and other shows have done. I'm willing to believe it was awful, but yeah, we're acting on a skewed perspective.

Unpopular opinion here: I liked Leah. Other than Stephanie, she was my favorite of that crop of characters. They gave her an unpleasant storyline, but I thought the character flaws were something that could be developed interestingly - even her tendency to attach quickly, if well-written, could lead to something…

Young eyes would be "młode oczy".
Oczy młody basically, um, sounds like Eyes [the] Young [One], with "young" being a vocative form of the noun, and the phrase missing a comma? Either that, or just two words with no relationship between them. Eyes. Young.

I think it's very good character development for her. We've seen her react with extreme violence to slights real and perceived (from Piper and the abortion clinic nurse) and this time when given an opportunity to retaliate, she doesn't take it.

I have faith in her ability to forgive (herself) and forget ;)

Swastika's aren't forever. Grey's Anatomy got rid of one that the guy from Queer as Folk had pretty easily.

It's the parallels we can see between them rather than their interactions that I meant by foil :)

I feel like there have been several moments pointing to that. The way she manipulates not only Luscheck (in episode 1!) but also Healy. Even her behaviour with her roommate. I feel like so much of what she does is about stirring tension just to amuse herself and having absolutely no care about the consequences for…

I'm not saying she wasn't a villain (although there was a hint of remorse in her conversation with her husband when she was afraid of getting caught *and* at the same time felt bad about syphoning funds). My point is, this show shows us that a villain with a face is ultimately less destructive than the systemic…

The blowjob was beyond awful and made him go this many places in the rapist hierarchy of the prison.

I get where you're coming from. I don't think hating on shows has to be the only reason to comment. And I wish the show would get better, and there were moments I definitely enjoyed. But generally they were Margot (and she's not even one of the protagonists!), and I was hoping the finale would make up for the…

why did val, alice's best friend, not predict that alice was actually
in trouble when she claimed to be out sick? because certainly val and
alice have some kind of code phrase—don't lie, you know you expected
that—that indicates 'i'm being held by a dude with a gun', but alice
didn't use it despite ample opportunity…

That's kind of my point. It was very obvious that the "choose the purse" thing meant she was hiding something in either one or both. Why he didn't check it after or before choosing makes zero sense since *I* was sure she would have a gun in the smaller one. And I'm no criminal mastermind.

This episode was beyond stupid :( It actually started off fairly good, very active and all, and I enjoyed Mrs Pattmore and her interactions with everyone. And Margot was fun and so convincing, as always. But other than the Kensington women, the motivations made zero sense and the plot holes were glaring. That scene…

Actually, I'd much rather have a dozen plane crashes than drama because of Meredith and Maggie liking the same guy. Hell to the no, please don't drag this out show :((((( (Also, since he's a ~widower~ and Meredith is a widow, *and* they've hooked up, what's even the drama supposed to be about? Dibs have happened…

We would never not have seen that coming.

(Aside: I honestly find it baffling how this comparison between Scandal and The Catch can see The Catch as superior. The Catch is lightweight, wooden and doesn't even manage to make itself be fun or interesting because it's so… bland. Low-stakes. Oddly predictable. Scandal, even at its worst, barrels on full-speed,…

So, the title is clearly a clever alusion to how long it's been since a lesbian or bisexual woman died on our tv. Too long, clearly. I mean, how else are shows supposed to power themselves.