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What? They’re making the entirely reasonable observation that if we’re going to examine factors as to why cops do or don’t get disciplined when they violate department policy or violate citizen’s rights, race is a factor. That’s not forcing the issue, that’s a basic filter through which any sane person much examine

I realize this article is going for humor, but given Terry Crews, “Treat women like big strong men” doesn’t seem to be the answer either.

Given the history of music in general and hip hop in particular your argument makes no sense whatsoever.

Well, his assistant is an Angel. (That joke for the 6 people who watched Dominion)

While we could argue about quality of execution, I think Arrow has been trying to get at something interesting about life as a vigilante and their place in the systems of society vs “real” law enforcement and other actors of power and change (or not) like politicians or philanthropic rich people.

Almost every superhero of note, if they’ve been around long enough, features a bunch of allies and enemies with similar powers. It’s pretty baked into the genre. Hulk runs into a ton of gamma-irradiated and/or superstrong people, there’s a billion Spider-people in the Spider Man continuity, Iron Man has a bunch of

I think the idea is, people don’t necessarily agree with you that this is a flaw. Barry constantly going up against other speedsters did get old, but occasional mentions that as time passes his powers/speed seem to be increasing are fine, as far as I’m concerned.

In the comics, sure. On the show, we have no idea how they’re going to represent the extent of Attilan tech. We’ve already seen Black Bolt has been significantly depowered compared to his comics version, and so far the show has shown no particularly incredible tech outside of the hand wavey existence of Attilan on the

I was more trying to get at the idea that the overall conflict in the show is silly. Black Bolt sitting on the moon with his shitty caste system was completely unnecessary. The show is trying to act like this was some deep no win situation when it really wasn’t, because the logistics of dealing with 1400 people, even

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Fun opening songs. Unpleasant, emotionally grimy shows.

“Except he isn’t the good guy because he wants to go to Earth and conquer it.”

Lockjaw got hit by an ATV driven by a cute boy. There’s your budding romance plot for Crystal. *eyeroll*

The actor playing Crystal is just terrible, I’m sorry.

The actor has mannerisms reminiscent of Benoist when she’s playing Kara the Reporter. It was a joke.

Enh, you could do that with anything to anything, once you have enough source material and total editorial control. I assume you’ve seen Game of Thrones as a lighthearted buddy sitcom or The Shining as a heartwarming family comedy.

But think about the Gendry side episodes!

*shrug* I’m really not sure what it was you couldn’t see. One of the fun things about Pacific Rim was how the stuff happening at night was illuminated in many cases by “in universe” lights mounted on the support helicopters  or the city lights.

The action in the first movie was gorgeous. Titans fighting in neon lit rain. Fantastic stuff.

Peter Jackson is notorious in the industry for overly long movies, false endings, etc.

Children of Men has an 85 percent audience rating at Rotten Tomatoes and and an 8.4 out of 10 user score at Metacritic. I think audiences liked Children of Men just fine.