Yeah, but that's true of almost any W heavy acronym or initialism. WWW is longer than World Wide Web. WWJD is longer than What Would Jesus Do, etc. The point of the catchphrase isn't really efficiency.

I lived a little while in an area that got pretty constant rain, and then later I got a job that required me to work in the rain, and now I really just don't care about rain, unless it's very cold (sleet basically).

Your "two or three minute" long sex scene between Nomi and Amanita is actually one minute long. I don't see the sex in the show as being any more gratuitious than the fight scenes, of which there were many, or the car chase scenes, of which there were many. You don't complain about "gratutious drug use", of which…

I have no idea what's going on now, but a couple years ago Blackberries were selling like hotcakes in Korea, even outselling the top Samsung phones.

The cast ranges from 28 to 35. Jamie Clayton is 33.

I'm glad Sense8 had a lot of sex in it, because the sex in 99 percent of mainstream entertainment is godawful. Tons of rape, tons of people treating sex like something men desperately have to pry out of women or trick our of women, tons of "sex" where everyone keeps their clothes on, just boring, or stupid, or…

I disagree completely. For me the joke was "women deal with this shit every month. They just get on with it. A guy gets it and falls apart (to be fair, partly because he doesn't realize what's happening).

I'll allow it.

I suspect the opposite, that it resonated best with those who lived through the song in the 90's. The point of it isn't _liking_ the song, just that it's extremely heartfelt (to the point of being irritating in other contexts) and ubiquitous enough that all these separate people might know it.

Do not underestimate Staczynski here, he can be extremely sentimental/corny. I didn't mind the scene, personally, but I knew it might be polarizing.

Fuck, marry, kill: Sun's brother, the head nurse at the hospital holding Nomi, Nomi's Mom.

Well, the discussion you're in indicates clearly you're not the only one. It's been mentioned a fair amount on tumblr as well.

What annoyed me about that nerdsofcolor article is that is made a ton of assumptions in order to make negative conclusions. There was a lot of "This thing we know is specific, and this thing we don't know is probably stereotypical, and the whole thing is too American."

Oh man, when Sun starts to do shit, You WIll Know It.

Doona Bae sells the hell out of taciturn action hero stuff. "Call me a bitch one more time" is cliched and predictable but man, I'm still talking to the screen "Dude, don't do it! Oh, you done fucked up now."

What saved the Kala story for me was that her fiance was never played as a villain.

One thing I was trying to tell my friends about the show was that, despite the fact that it can be quite violent and scary/bad/sad things happen or potentially happen to the characters, _this is not a downer show_. Moreover, most of the "big" moments, the showcase moments are actually positive or joyous or wins for…

See, Code Black felt to me like it was trying Way Too Hard to be intense and full of incident. The whole trailer felt underlit, sweaty and cramped, and not in a good way.

History indicates that almost 100 percent of passed-on pilots never see the light of day again. They don't bounce around from network to network like unsigned athletes.

The thing is, the sitcoms might work. They might not, but they might. Constantine provably wasn't working. It had terrible ratings, they don't own it so its hard to make side profits on it, it's hard to syndicate, and it's expensive to make. No matter how much its handful of fans may have liked it, canceling it…