Toy Story isn’t #1 in either list, so I wonder why it’s featured here. Domestic vs international box office?

I’m old enough to have seen the original Toy Story in theaters, but I can’t think of any such great disappointments.

Come on, Three Colors is obviously the best trilogy! There can never be another sequel!

You’re not alone. I never saw another Toy Story, nor do I intend to.

I saw this as a kid, and even if it was made independently it struck me as yet another Disney movie (The Iron Giant also seems like Disney despite being from Warner Bros). I decided to avoid Pixar, which is why the only other film from them I’ve seen is Up.

That movie is best known for something that isn’t even in it.

His twitter bio does state he’s not a smasher of ponies.

To me Widows obviously seemed like it should have been a miniseries (as it was originally) rather than a movie. I didn’t hate it, but it wasn’t up the standard of his earlier stuff or the better films of the heist genre.

I really disliked spending time with that kid.

I’ve been watching it recently, and even after selecting a show, the interface is much worse. It takes much longer to pause, and sometimes if I return to a paused tab after a long while it will start playing even though I didn’t tell it to, and the image frequently gets frozen for while while the sound continues and I…

“excels at being OK” sounds like a contradiction. And Cage was well known for crazy over-acting before the 2000s.

And I would have gotten away with it too if it weren’t for that meddling Scooby gang!

I would watch a sketch entirely consisting of Chris Parnell throwing stones at Jimmy Fallon. Although a regular sketch where Jimmy gets one stone per break might be better.

I couldn’t guess who the handle “ponysmasher” belonged to. Turns out it’s David F. Sandberg, director of Shazam.

I thought he was funny in The Other Guys.

The stupidity of the novel seems tied into it being aimed at adolescents like Johnny Rico who aren’t smart enough to see the holes in the logic, rather than something like “300". There’s no raving about how they need to kill all the bugs, as instead the final mission is about capturing one so they can communicate with…

I believe “The Lie” is a remake of a German film, just as “Seven Seconds” was adapted from a Russian film and “The Killing” from a Danish series. Veena Sud is really into Americanizing Euro-noirs.

Blumhouse does the monthly thing with Into the Dark, but from what I’ve heard most of them aren’t good.

I’ve been waiting a long time for Durkin to direct another film, and I suppose in all that time Olsen hadn’t done anything comparable.

I think that reaction is intended. She is not an audience standin.