I actually didn’t care for Kill List, but enjoyed the absolute hell out of Sight Seers. A Field in England has basically nothing in common with that, but it also has little in common with basically any other movie. If you like some weirdness in your movies, I can heartily recommend that.

I don’t even remember any Mitra movies. Not that I’ve seen the Jolie/Vikander Tomb Raiders.

Was Dylann a teen at the time?

Were women permitted to perform in blackface?

The adopted daughter of his long-time girlfriend. Still creepy as all get out.

I don’t think the case against Allen ever made it to court. It wasn’t deemed sufficient to prosecute.

I think there’s only a singular accuser in this case.

LGBT actors can, and do, play straight characters.

Pretty Thing combines the worst of aiming-for-atmospheric “arthouse” horror and jump-scare horror. All that happens in the film is a jump scare after a lot of wasted time. Blackcoat’s Daughter is the reason for me to have any hope for his other work.

It was a short story before it was a movie, and I bet more people have read the story than seen the movie, generalizing from a sample size of me.

I will say this for her: I did not dislike her performance in Clouds of Sils Maria, which is more than I can say for her previous Olivier Assayas film, which also failed at every genre it attempted.

Marvel hasn’t exactly been the most progressive studio when it comes to representation

It seemed like he killed Bill’s brother quickly, and then afterward just kept focusing on scares rather than kills.

So he’s Sandra Bullock from “While You Were Sleeping”?

Nobody wants to watch the latter if it’s all adults. What are you, some kind of sicko?

I didn’t think Us was quite as extreme as IT in that regard. Like the dad really was going to get tossed off the boat. But you’re right that it was less scary than it could have been.

I also found it very overrated. Even in terms of simple scares, once it’s apparent that Pennywise is trying to scare rather than kill them, he ceases to be scary.

What archetypes and tropes are you referring to? And what context?

It’s stated in the sequel that nobody died.

I was actually thinking of the rich old lady the audience is supposed to hate and who gets launched out of her house via that stair-chair.