Unfortunately, you will have to sit through a lot of stupid scenes with the humans here.

The actors talents are all wasted. You should watch the original Godzilla.

The previous Godzilla movie was kind of boring and had a boring lead, but the focus on survival for the humans could make it exciting. Here there’s a dumb conflict about whether the Titans should be killed or protected and the humans are mostly more concerned with carrying out ineffective plans. It’s really dumb but…

Krampus is a better movie. You occasionally give a damn about the humans.

If you liked his stupid villain in that season of Strike Back, perhaps you’ll tolerate him as a sub-par Bond baddie in this.

It would be better if you got that, but Hollywood won’t give it to you.

She doesn’t get to do much here, so anyone seeing it for her will be disappointed.

That’s my preference. Humans become irrelevant in a monster vs monster fight, but they still have humans in the movie.

I’m not a fan of Pacific Rim, but it works better than this.

It’s not the movie you want. The human characters get a lot of time, none of which suffices to make you care about them even if you’re supposed to.

It occurred to me while watching this that a pure monster movie with no humans would be a better version of this. But while that might have been economically feasible when it was just guys in cheap rubber suits, the expense of CGI for these means they can’t be onscreen all the time. The plot with the humans was so…

Since the movie “Outbreak” was sort of an adaptation of this, I was expecting a comparison.

But I, George Washington, cannot tell a lie!

I heard a similar argument using Alan Turing as an example for that shift in post-war society.

I know that the first assumption would be that Margulies is to blame, but I have it on good authority that the Ebola virus is a terrible scene partner who will ruin perfectly good takes out of spite.

When did ZMF pop back up?

Will next week contain a mention of Naomi Wolf’s recent hilarious radio interview?

I watched the clip above, and it occurred to me that people who haven’t watched it won’t get the significance of the parking lot Paige leaves through.

in a year when a film by a woman is arguably the most acclaimed

Not ever, and not now.