Still slightly less disturbing than telling him to let a bunch of kids die just to supposedly keep his powers secret. Lol, it would be more believable if we learned Papa Costner was a Dexter Morgan-type of sociopath who saw his superpowered son as the perfect chance to live vicariously his homicidal urges. Hell I…

About 3 fiddy

I grew up in Colombia, where the gangster culture is all around us. Hell I graduated high school with the children of some of Pablo Escobar’s former rivals. And most of us never became gangsters, sure we were friends with those guys and loved the kind of money that we had, but we all grew out of it. Shitheads are…

She is pretty much a staple in hallmark and direct to video movies. Other than a supporting role in 2011's The Artist as Jean Dujardin’s wife, she ‘s not been in much movies of note. It’s a shame, 90's Penelope (specially in Carlito’s Way) is my lifelong crush.

 As someone with Anxiety and depression (also in treatment), I think that all networks should do this. In HBO, I found myself especially depressed on the season 2 finale of Barry. But for example I felt specially triggered by Mad Men on AMC, their representation of depression, anxiety and addiction was so raw (kudos…

So Riley Keough is going to be cast as the beautiful and interesting girl who eventually goes missing from now on?

Lol yeah I am convinced.

You have never been with a real woman, have you? Maybe stop with the male-victim conspiracy theories, and lay off the caps on the keyboard, and maybe a girl will eventually find something redeemable and even charming within your personality, micro-penis and all.

Lucky guy too, she is not only gorgeous and sexy, she seems really cool and smart. 

Maybe, I still watched the whole thing. But specially that part was pretty awkward, not because I am gay (I don´t like labels but Ive always been attracted to women, at least until now), but because there seemed to be so much anger in him. It didn’t look like an act of defiance for the purpose of comedy, it just felt…

Yeah, and I am not even a fan of the first one. It did bring pretty talented comedians to the mainstream (Zack G, Ken Jeong and Ed Helms) and made the overlooked Bradley Cooper into the bonafide leading man he was meant to be. But the movie in itself is pretty forgettable. And the other ones, I felt like Phillips was…

Joey's killing by Vincent was pretty badass though.

Yeah, I still think it was overkill. Although Joey Zaza was the one behind the hit of I remember correctly, so a cartoonish hit wouldnt be out character for a guy like that.

After his subtle performances in the first and second one, he decided to go with the cartoonish flow of the movie for the third one.

Yeah, an helicopter escape would be more believable. But, using a freaking war machine to kill another mobster? Not even in the Capone years they were as over the top (and no, car bombs are not the same). As many people as they killed, I think even a mobster like John Gotti would have thought a freaking helicopter hit…

Well nobody is clamoring for another Hangover sequel, but I think Old Scholl is still pretty well regarded as a comedy classic. Starsky and Hutch is pretty funny too. 

Agreed, I laughed a lot in parts of his stand up. But in others, he just seemed so angry about everything. I know comedians are supposed to be annoyed by things, but man seeing him shouting the word “faggot” just to show he is not intimidated by pc culture (or whatever), he just looked like a loud and bigoted old man…

Exactly like him. Another one I empathize a lot with, even while loving the hero who puts him down, is Hans Gruber. His brother too! Those are so smart and cold that I just want them to be my bosses lol

I loved the Godfather part 2, it was like getting dumped in the middle of a Corleone crisis, and seeing how much colder and ruthless Michael becomes, like he has no limits to his predatory instincts. 

Yeah, that’s the capitalist dream. We root for the guy who gets things done. Even more than “badass” or “scary” loose canons like Sonny Corleone or Joe Pesci’s characters (Or Walter White, with his egomaniacal impulses), we root for the quiet, efficient and methodical capitalist, in the vein of Gus Fring (as someone…