I'm not entirely sure I understand the nuances of this "award" either, but I will say that I thought Will Smith was astonishingly charismatic and charming in Focus. Maybe the six or seven people who saw Focus included a couple Razzies judges?

*tries to hit Like button, trips over potted fern, shrieks*

Huh, seems like TV from other dimensions has a somewhat looser feel to it. Yeah, it's got an almost improvisational tone.

I dream of a world where every Hollywood press package has this level of honesty.

I disagree! Go fuck yourself!

Come On, FTPOCLGBTQ+. I see you jockin' me. Tryin'a play like…you know me.

"WITNESS MEEEEE! No, really, I demand constant media attention and praise for my philanthropy."

"The Chan Zuckerberg Initiative" sounds like the name of a sinister megacorporation in a William Gibson novel.

It's a grid system, motherfucker!

And then it just sort of…ends.

Studio 60 works much better as a period piece miniseries set in the mid-00s, as opposed to a failed network Emmy-bait series filmed in the mid-00s.

I hate to defend that whole clusterfuck in any way, but I have to admit I found myself impressed by the way he played it: radiating palpable horror and sadness, like he hated himself with every fiber of his being but still simply couldn't shut up. As much as everyone despised that scene - and rightfully so, I think -…

"Yo, my name's Aaron Sorkin and I'm here to say
*9,000-word screed about the sad state of modern America*"

I remember thinking it hardly made any sense that those two characters ended up in a romantic relationship together, and not caring in the slightest because of how delightful they both were (especially in comparison to the rest of the cast). Hell, one of the funniest moments from season 3 consisted solely of Sadoski…

William Gibson, is that you?

I'd have posted a comment criticizing the site for this very thing, but there's only about three centimeters of my browser that I can scroll over without being automatically redirected to the website for some shitty sci-fi novel.

Tell me of the free market of your homeworld, Usul.

THE AV CLUB
A Master's in jism

I was astonished at how much I enjoyed The Skeleton Key. I went in convinced I'd call every twist an act or two away, but ended up surprised and delighted at how deftly the movie stayed ahead of me. It's not a modern classic or anything, but perfect for the circumstances under which I watched it: a cozy, boozy…

It's impossible for me to not read most of the titles of Amicus Productions' filmography in the voice of Garth Marenghi. I mean mentally, not out loud. Actually, scratch that - now I'm doing it out loud. "The Terrornauts!"