specknose
Specknose
specknose

With this episode it is now extremely funny how many people watched the first episode and made the complaint of “ It’s a 1:1 adaptation it’s pointless just watch the YouTube cut of the game.” Was dumb to begin with but now we’ve seen that they’re clearly making strides to establish purpose and artistic reach with the

I mean, ostensibly a major reason we engage with art is to participate in or be exposed to experiences that aren’t our own. As a cis-het middle aged white dude, part of what makes me so upset about the idea of conservatives dictating art is that it would all be so fucking boring. I’ve seen enough of myself represented

I feel like the commentary on Pancakes was sarcasm towards coping towards that memory.

A quick flash of the brights means there’s something ahed for them to pay attention to (usually a cop) if you’re moving or “go ahead and pull in front of me” if you’re stopped/slowed and they’re waiting to turn.

This is a full-fledged recap. Meanwhile, we had Kenneth’s very different (and IMO great) commentary piece about how this episode takes on greater meaning when viewed in the context of a post-apocalypse where queer history has largely been forgotten. Then there was one that summed up the writers talking about why they

This episode is the perfect example of what an adaptation should be. it doesn’t need to be 1 for 1 and shouldn’t be. Take what works, fix what doesn’t, and take risks when you think you have something really good.

Reading all of the hate online about this episode really makes me cringe. I thought it was the best one of the series so far, and I’m a 49-year-old white married cis male that thinks the relationship between Bill and Frank over this “long long time” absolutely brought the story even further. The performances were

Children are easily created by unskilled labor.

Guy is in a cycle where he needs to get views to fund his efforts to make videos that get more views to fund more efforts... Then again, that’s just about every ‘content creator’ that’s made a career out of YT.

Maybe if we have a season or two between the events of the first game and the second, it’ll dull the unending and inevitable whining from... that crowd.

Honestly, even if her performance was crap, I’d still find it difficult to care, considering that the majority of nominations are backed by multi-million dollar campaigns by well-connected studios.

If someone with ‘foot’ in their name doesn’t get it, I’m not going to bother wondering why I don’t get it either.

I guess I have officially graduated to “old and out of touch”.
After reading this whole post, I can only summarize it as “I get it, but I really don’t get it”.

I have nothing to add except that I was very excited to see someone who felt the same way about the ending of the first game, and the entirety of the second game, as I did.

This is exciting! Not surprising based on how great the ratings and critical reception for the first two episodes have been, but it’s awesome to see season 2 confirmed.

Except they hate kneeling.

George Santos is also being sworn in with a copy of Superman #1, the comic book his grandfather wrote while escaping from Communism in Freedonia.

Sorry, #5 is the best—Luke v Vader in Return of the Jedi. No question.
Sure, other fights may be more visually and technically impressive, but they don’t make you *feel* anything like that one does.
It’s the final freaking boss battle in the original trilogy (the only good trilogy), which says it all.