The weather won't allow it. It's reining.

Ooh, free glue!

::eyes lever longingly::

Permission to make a second guess?

No need to be so aggre-sieve!

HA! Contra-natura.

Make little holes all over the place.

::lets out the breath he's been holding all week::

::gets impaled on x-axis::

Right of the origin.

Maybe it's more a place, a general sense of belonging and purpose, that Caliban is seeking rather than the actual financial remuneration. Unemployed regular-humans can feel out of sorts if they're jobless (even if they're financially fine), and maybe that's magnified in his situation, distinct as he is from (the rest…

It would have been a glorious brother dis shamelessly exploiting the easy rhyme between "heir" and "spare."

The carriage attack *could* have come across as a transparent and artless attempt at delivering the action on the cheap, but instead I think it succeeded at being effective through suggestion, merely hinting at unseen (for a while, at least) horrors.

I'd been wondering how the show managed those street shots. They looked too good to be pure CGI, but at the same time I couldn't believe they were 100% as-is location: what place in the current world could possibly still be like that.

I do like the "Great man, horrible at home" thing; it rings true, and it gives him a negative trait and thus spares the character from being perfect.

I love that guy's face. So genial.

Maybe she feels her cool stories aren't fit for general consumption.

I believe the proper super-plural is "a murder of tableauxses."

What particular thing were you worried the show would elide over in between seasons? I like being able to keep all the dots connected (where characters stand in relation to one other), so as a general thing I was pleased too.

The portrait hanging in his attic is actually of the world's most interesting man. Dorian stays boring, and only the portrait grows more interesting.