"no American network was going to greenlight a mostly subtitled show"

I'm not sure when you watched the episode, Oliver, but when I went to nick.com at 2pm Friday, the left third of their home page was occupied by Korra, with "THE STAKEOUT available online now!" in big type.

Gary!

I have a "foster brother kisses a clone of his foster sister"-phobia.

Has Helena met Alison? I can't recall.

Sestras and Jell-o forever.

Not that there are other shows being reviewed here that I want to read about.

My working theory while watching this was that Jill had concocted a make-believe case to get close to Peter. The case just seemed so bland and unimportant. I think that says something about just how badly constructed this episode was.

The writers have been watching too much of their lead-in show, clearly.

'Til Death was lucky enough to have the most forgiving production company in television: Sony Pictures Television.

The covers for "It's Blitz!" and "Show Your Bones" were quite pleasant. "Fever To Tell" was a bit strange but fitting for the record. "Mosquito" just went out of its way to be repulsive.