Because if we don't get to have schadenfreude from the failures in famous people's personal lives, we would have to look at our own failings.

Seriously, I want to give this show a shot for Tambor's performance and how good his character's story is supposed to be, but everything else I hear about it makes it sound like it would make me physically ill.

I've been listening to that album for years and it only now is starting to sound dated.

Can't we do both, though? I'm not saying you're wrong, but I also see this argument of "Why do you care about/devote time to this more minor issue when there are bigger issues out there?" used as an attempt to shut down any change quite frequently in the real world, by people who honestly don't care about those bigger…

You know, I went into this season hating the shit out of it and flying off the handle at any praise, but this comment and some of the others in this thread have really made me rethink what this show and this past season have been saying. I still think it misses the mark sometimes in terms of satire (with a lot of Safe…

Saw them in Cincinnati the night after this and it kicked fucking ass. Didn't get a cool Ramones cover but they did play "Was It a Lie?" which I was dying to hear and figured was a long shot.

I like the character but 4 seasons is a bit much.

I understand those words individually but not in that order.

But I thought this was the show that Got Rape Right, Game of Thrones.

I'm trying to wrap my head around "robotically intense".

Fuck yeah dude, at its best that show was great dumb schlock, I'm psyched to see those meatheads back together again.

Can't wait to hear about how great New York used to be from The Ghost Who Blew Dan Aykroyd.

Man Sepinwall went off in his review. It was glorious.

So that was pretty bad timing.

He's an actor. Come on, now.

Man the gulf in writing quality and comedic value between Rabin and the newbies is remarkable.

I don't know, man, gotta disagree with you there. I was really looking forward to that book, but even if it touches on a couple interesting ideas the dialogue and character writing are just so, so flat. Plus it focuses on the genetics of the Force and Coruscant political intrigue (aka the two least interesting things…

I think he was hamming it up perfectly in a movie where everyone else (except maybe McGregor) was too chickenshit/directed too poorly to adequately ham up their laughably hammy material. Agree to disagree, I guess. But I am by far the most invested in that movie when Palpatine is on screen

Fair point. But again it just points to Lucas being a good character and set designer stupidly given the power and prestige of an EP/director.

They are just as bad as the SW prequels. Like the ratio of well done scenes to terrible shitty padding is exactly the same.