My thought was, Coulson lets her sleep with a sharp stick?
My thought was, Coulson lets her sleep with a sharp stick?
That scene wasn't "We're getting away." It was "They're letting us go."
The outside?
they never even ate the pizza
I worry that this show will be sucked into the same procedural trap that ensnared Elementary—the edict that every case must involve a homicide.
If Dig can be an effective combination of Homeland, Sleepy Hollow, and Awake, it will be the best show USA has ever done.
The best part about Holt's haiku is that Braugher delivered it that way.
This feels like a Netflix show. I barely noticed the commercial breaks and was surprised when it ended.
What do you suppose the Headless Horseman has been doing this whole time, anyway? He has no one to talk to, Moloch, Henry, and Katrina are dead—the ennui must be unbearable.
I would have found this premise far more intriguing if it happened in real life and was presented as news, as opposed to happening on NBC and presented as drama.
I want Ichabod to find a stub Wikipedia article about himself but have his attempts to expand it constantly deleted for a lack of sources
A murder?
I would watch a spinoff with Zsasz and his henchladies
Community has one basically every year.
Seriously, that name. Was she named after the color of Lana's living room?
Hooray for Zombie Irving!
Worse, the character was so detestable he was named "Bree Dorrit"
If they don't reveal Katrina as the Big Bad by the end of the season, I don't think I can make it back for season 3
In order to give the villains a vendetta against Ichabod, while leaving him relatively blameless, Katrina seems to be responsible for everything. It would be cool if it were on purpose.
Can't believe I sympathize with the Horseman of Death. Dude got a raw deal.