And Old Kirk will be like, why is every action movie an analogy for 9/11 and terror war politics? Can't you just make one goofball movie about interesting people interacting?

And maybe there will be trains, which should prove no obstacle for Dinklage, who's had experience with trains in The Station Agent.

To be fair to Hollywood, that's depressing and not actually a story. So that's probably the reason not to turn into a Hollywood feature film, no matter how much Hollywood loves self-referential movies.

But when will a SNL alumnus host a In Living Color episode?

In conclusion, How I Met Your Mother solved more of its mysteries than Lost.

But seriously, when will they fire this guy and replace him with Ken Jennings?

You rarely get to tell exactly when the acid kicks in when someone is writing, but Tommy Wiseau has always been an exception to many rules.

Meanwhile, I imagine Birthday Massacre is getting a lot more play than they deserve in Facebook birthday messages.

The short story is excellent, but definitely a short story. The problem in an adaptation is that in a movie you would stretch what's a very simple set-up and ending to the breaking point and if you were to adapt it for, say, an episode of a TV serial anthology, you would lose the atmosphere.

It is totally unsurprising that Snyder's idea of an awesome batmobile is the one from Dark Knight, but BIGGER. And with like, GUNS AND STUFF.

Yes. A kind of urban fantasy from the New York Dark Ages for subway riders dreaming about a badass secret agent who outclasses muggers and hustlers. Think of it as Burn Notice for Reagan's America

Huh. A nominally humorous comic book with stories that start and end with no rhyme or reason involving flat characters who spend most of their time bickering with each other, which for some reason has a considerable cultural presence despite lacking any underlying value.

I'll wait for Couch Detective Detective, about a woman who learned to solve mysteries by watching Couch Detective.

At this rate, shows will lose their runners before they even exist.

Goodbyeeee contains the best explanation for the cause WWI I have ever heard and I'm including every book that has come out in the last year for the 100th anniversary.

These movies are about men in flamboyantly colored tights fighting. How can I find that jovial?

Dumbass was underwritten as a character and Right-On was inconsistent. And when your plot is "wacky misadventures at a movie theaters" you are going to need a lot from your characters. The acting was pretty solid though.