That would’ve been quite a trick, since to my recollection she was about 3 years old at the time of Wallace’s death.
That would’ve been quite a trick, since to my recollection she was about 3 years old at the time of Wallace’s death.
I think the thing with Krystal was that she was dippy and oblivious, but she was far from stupid. She’d just lived her life in a very specific, vapid bubble before “clone club”.
The comic escalation in this scene is just masterful:
The best part about Fletch Lives was Cleavon Little as “Calculus Entropy” bringing some Sheriff Bart energy to the film.
Considering most people had no fucking clue that Showtime had its own service (I HAVE Showtime through Fubo and I didn’t know it) this works. It’d be like folding EPIX into . . . pretty much anything.
I will never, never, never understand the idea that the effectiveness of a movie in any way hinges on whether we know if the heroes will live or die. It’s totally baffling to me. Did you not enjoy Raiders of the Lost Arc because you knew Indy was going to survive? I just don’t get it.
The baby-Colin’s bits were great, but I think there was a missed opportunity with a lack of little kid non-jokes. They hit an age where they get the basic construction of a joke, but they don’t get how humor works so they make up weird non sequitur non-jokes that they find fucking hilarious. Like, “Knock knock.”…
I don’t know if it’s “wide-reaching destructive impact” but to me, the West Wing has just aged poorly due to the relentless Sorkin-ocity of it. I loved it at the time, but it’s the same with Jeff Daniels’ big Sorkin speech in The Newsroom. It’s pompous and nostalgic and unbearably fucking caucasian with it’s grand…
Opponents to the bill warn that this will cause product prices to go up
So by that standard, there exists a day in the future when enough gay people will be playing gay roles that people on sites like this will stop complaining about instances in which it doesn’t happen?
are completely dismissing the silly new “you have to be exactly like your character to play them” nonsense.
Ketchup is an overwhelming condiment. Pretty much anything you put ketchup on becomes a ketchup delivery vehicle with different textures. Which is fine if you like ketchup and don’t want to taste your actual food (and sometimes that’s exactly what you want).
I’d heard the name in connection to the shitty-ness of it all, but it was literally NOW that I discovered it’s Ricky from Better off Dead. Like, I saw the picture and thought, “Hmm, that looks like the dude who played Ricky from Better Off Dead,” but assumed it wasn’t actually him.
I personally like the last couple of seasons, even though they didn’t have the pure magic of the earlier seasons.
I swear this whole debacle makes me think of Fierce Creatures where John Cleese goes on this epic rant about the giant, ridiculous company hoovering up all of these other companies just to make them shittier.
Five Episodes of South Park from the last six months that are still relevant today!!
It’s not just the hosts that were already in the Sublime. The whole bit with Dolores this year was that she was “The Storyteller”, and has perfect recollection not only of every host she’s ever encountered, but also of every human she created narratives for. Which is to say, all of them who were part of Charlotte’s…
Two of six at best. Unless “cook” and “actor” and “waitress” and “who-the-fuck-knows” count. Which they don’t. And even Chandler and Ross only sorta-kinda technically fit since “office drone” and “nerdy academic” don’t fit the profile of high-paid, success-obsessed assholes.
The lily-white cast of rich, New York yuppies
Ah yes, known as “AYKB”, or “As you know, Bob”. Common clunky expositional dialogue technique of having people explain shit to each other that both already know. https://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow