She'll be fine. Norman has his trusty umbrella. And sandwiches.

Also, a paranoid driver idles at a stoplight and locks eyes with the last pedestrian s/he wants to see.

Don't mean to be an asshole, but these reviews bely Univision's familiarity with the English language.

I feel like the '50s are a decent line in the sand. The postwar promise of egalitarian luxury has never been so ubiquitous or influential. Seems to qualify as a nice dividing line.

WL/WH may be my favorite too, but I'll never stop arguing that "Heroin" is the best straight-up rock song ever written.

I rewatched last season's finale just before this episode was broadcast and I was thrown by that closing shot of the house. We've seen the front of the house a million times but, until then, it A) never had anthropomorphic eyes and B) never appeared to be a duplex.

On those days, I settle for favorite. ROSEMARY will always be best.

Saw it at a critics screening. It suggests the temperament of someone a bit touched, not unlike a Mel Gibson movie. (And the "big statement" thing is right there in the title.)

It wasn't just that he was a "jerk;" the movie was bad enough on its own terms. Parker painted a target on his chest the moment he positioned himself and the movie as paragons of progressivism.

What ultimately matters (we're just spectators here) is that Parker's movie was worse than Affleck's performance. A lot worse.

Like I said up-thread, a perfect shitstorm.

It'd be an entirely different story if BIRTH OF A NATION were anywhere near as good as MANCHESTER.

Thanks for the link. I hadn't seen that.

Elvis digs his hats, sure, but he routinely swaps styles.

We couldn't see what happened after the cut. All we know is that he said something to the effect of "But it says Emma Stone," to which Dunaway replies, "What?!" Their mics cut out after that.

The new guy? I guess. He's not quite as nerdy as Elvis and co were in the early '80s.

Because it's the last award of the night, the show is running long, millions of people are tuned in, and all eyes are on you.

MAN OUT OF TIME
YOU LITTLE FOOL
PIDGIN ENGLISH
TEARS BEFORE BEDTIME
AND IN EVERY HOME
HUMAN FUCKING HANDS FOR CHRISSAKE

The Imposters are the Attractions without bass-player Bruce Thomas, so really there's only one impostor.

1) He's not used to being in front of millions of people. He quit theater at a young age because nerves.