I mean, he basically took credit for Nimoy’s entire directing career, calling him an “acolyte” who begged him to let him direct an episode of TJ Hooker, and that Nimoy would never have known where to put a camera if he hadn’t showed him.

Like, more murdery you mean?

Is this a recurring bit?  Because I’m into it.

Yeah, “I hope you die” has always struck me as kind of a weird epithet to throw at somebody.  I mean, everybody will sooner or later.

I think when you open with “Steak is overrated and I will never understand the obsession people have with it,” its not so much that they’re trying to convert you, its that they feel judged and they now feel like they have to justify why they like it so much. Probably a shrug and “I don’t care for it” would draw less…

“McGoblin”

I can think of a couple of big reasons ...

That five album run from Beggars Banquet to Exile (yes I include Ya Ya’s) is as good a stretch as anything the Beatles or anybody else ever put together though. Each of those albums is perfect in it’s own way. And when you put it in the context of what was happening with the band and the world more broadly over those…

Dude, you forgot the first rule of Cosby.

I don’t really see it as a documentary in any conventional sense though. If you love this music, this the fulfillment of a fantasy, to actually go back in time and sit with these guys while they made these recordings. I have Goddard’s One Plus One on DVD and I savor every second of that Stones studio footage; it’s…