This doesn't sound right at all. 'Spirit in the Sky' I thought worked great in the trailer, and as far as I know I've never heard that song featured in any movie, or the marketing for any movie, except 'Miami Blues'. Which, although it's a great little film, did not exactly light the culture on fire.

I like that! You know that's just the kind of badass/funny moment that Whedon and Downey would absolutely slay.

Good. You just missed my foot by thiiiiiis much.

Also agreed, but I think in this case it makes sense to have a giant swinging-dick Big Boss at the end of the 3-movie Avengers arc, to give the narrative something to build up to.

Now I'm imagining this little Harvey Keitel doll that emits that weird, groan-sobbing sound when you touch his dingus and it is CREEPING ME THE FUCK OUT.

Lighten up, Francis.

Yeah, sorry, no ethics involved. Fantasy is not reality. Ethics only apply to things that occur in the physical world and/or can reasonably be expected to impact the lives and well-being of other living creatures. Masturbating to a figment of your imagination who is fabricated to look like a famous person who…

The ending of 'Signs' isn't just terrible because it's stupid, it's also terrible because it communicates an awful, dimwitted, bankrupt philosophy of faith.

Yeah, huge Spider-Man fan here, but I haven't seen Amazing Spider-Man 2 and I'm not gonna. One of the great things about there being so many comic book movies is that fans like me aren't so tempted to go see every half-baked adaptation that comes down the pike, because there will probably be a much better one coming…

It's funny, I'm a Marvel kid from the '80s and I have zero familiarity with the new Guardians from the comics, but the 'Guardians' movie has me drooling at the mouth. A swashbuckling sci-fi action comedy directed by James Gunn and starring a weaponized raccoon? I cannot throw my hard-earned dollars at this fast…

At least he didn't take it in his Foggy Nelson.

The episode with Parker Posey is one of the least comedic episodes he's ever done, and is probably one of my favorite half-hours of television, ever.

I thought what was so funny about that scene is that Todd's satisfaction with what might be objectively described as a lonely, petty existence is so persuasive that it's magnetic. If you were bored during that scene, I don't know what to tell you. I thought it might have been the hands-down funniest bit in 'Louie'…

Todd BARRY, I think you mean.

This episode convinced me that Todd Barry is, in fact, Winning Life. In the most petty, tiny way possible, which was fucking hilarious. After watching that bit, I got weirdly excited when I realized how close my life is to Todd Barry's. And he's 11 years older than me, which means I'm ahead of the curve!

I've never seen him before… He was terrific!

Hey he was just following orders. Besides, blowing up civilians is the future of aviation!

Now that I'm on a roll with praising 'Mad Men' actors, let me say that as Harry, Rich Sommers' Spielberg-level reaction of awe at the moon landing was a silent highlight of this episode… Really, all the actors killed it. Elisabeth Moss obviously made the most of her moment, but what else is new? And Jon Hamm's…

I'm having so much fun watching the shocking ownage of Harry Hamlin (seriously, Harry Hamlin???)— that I feel remiss in not also giving a shout-out to Vincent Kartheiser, who keeps finding new and hilarious ways to make Pete douch-ey. 'Marriage… it's a racket.' If there is a TV God, he and Danny Pudi end up starring…

Harry Hamlin, once again slaying as Cutler.