No Emily Blunt, so screw this movie.

That's golden, Pop! Golden!

John Higgins missed a crucial black on the very same hole, and Stuart Bingham missed a pink there when he had the chance to clean the table and make it 2-4 (if I'm not mistaken). All 3 of them lost their games. That hole is haunted.

Hamill not only knowing who Atamanuik is but acknowledging his brilliant Trump impersonation warms my heart.

Not saying it's a new phenomenon, but it's getting more predominant. And Pharrell could have used a cordial tone and say "Oh, you mean Hidden Figures?". Not a big scene or him being difficult, just a small correction, maybe some laughs, and move on with the question. You can amend someone without coming off as a dick.

Rising online backlash => possibility of Keaton becoming too nocive for his movies and studios thinking twice about hiring him => publicist advises him to do a second apology for damage control.

But they did. The outcry continued after the first apology and he had to do it again. It's pretty much the same apology, only more elaborate.

Strong-arming can also work through coercion. As in "this actor better apologize like I want him too or his status and likeability will suffer a blow".

Yes, people who want to feel superior in a vicarious way are totally imaginary. They're dancing in my head right now, eating sriracha right from a bottle… and naked… wait, what the hell?

He apologized. It was a short and nonchalant apology because it was honest. When I need to apologize to someone for a blunder like the one he made, I have the exact same reaction: "shit, I'm sorry, I really didn't mean to", and not once I was approached by a stranger just casually watching that interaction who…

Pharrell was not… happy? B-but the song…

Seconded on guessing Teti would talk about that monstrosity. I've been trying to layer out that stupid analogy, and the best I've come up with was "labor inspectors closed the site because the construction workers have brain damage and can't be trusted to finish that place".

The story was fine and the setting too, but the combat was off-putting. It's as if they were authorized to use some really early, glitchy and unfinished version of Arkham's system. LiS is better than it should ever be for a coming-of-age story written by french people about pacific northwestern teenagers. Episode 1's…

"I don't get a Community notification for this?"

- Tacoma sounds more like Everybody's Gone to the Rapture… in spaaaace! I'll have to try it, Gone Home is a really interesting experience, especially if you go into it completely blind about the story and what you're supposed to expect.

How can one thing Crowe sounded good in Les Mis? You pressed the mute button before the movie started?

Yes it is. I just wished you had put some pants on before opening the door.

Cobb's OPI helped, but the crazy elevation that throw gets is everything. The ball just comes down really fast and straight, the defense has no real reference on where it will fall and can't jump facing it. It's just Rodgers being Rodgers.

Ooh la la, an award show *scoffs* What about that Hail Mary?

Oh, freeze Jimmy Fallon.