He tries to make his history disappear. (It's not that hard to figure out. Just look at the definition of both words.)
He tries to make his history disappear. (It's not that hard to figure out. Just look at the definition of both words.)
Just more proof that Pitchfork is hopelessly up their own butts
There's gonna be a civil war over AVC not reviewing RUN THE JEWELS
Well, it was a great song regardless of whatever genre label is applied to it
In response to this, Ryan Adams just announced he's quitting the video game industry.
Never thought I'd say this, but I prefer Tennis to Football, Etc.
Review here implied he didn't like District 9 either. Not the best person to ask about this movie, it seems.
good old killjoy dowd
Print is dead
Well, that's good news.
Well, since they all sound different and only one of them is any good and they've surely played festivals and toured in different cities from one another during the same periods of time…what you're insinuating is indeed fucking stupid.
It's actually less than what I've done. It's beneath me and The Roots, is my point, dummy.
It's true. If only the rest of Easton Ellis' great films* based on his work received such promotion!
I thought they were from "Got To Give It Up."
"me" rhymes with "me," dummy
By the way, did you notice they're the house band for Jimmy Fallon? Obviously, they don't consider themselves above much at all.
They love it so much they can't even review it!
Well, I mean…it's not like he's wrong.
They ripped him off.
Actually, no. There's been plenty of sequels made by other studios that used the same gameplay engine and have sucked horribly because there was no effort put into making the story, or gameplay itself interesting/worthwhile. Most recent example that comes to mind is Crackdown 2.