I would have picked The Playboy, but that it seems to be out of print.

I chose to focus mainly on stuff that's available in print, which unfortunately took Eichorn out of the equation.

You could always go thru Fantagraphics.

Hate's a little too semi-autobiographical for the list.

What strikes me looking over the transcript is the near-total lack of question marks, which I think reflects more of a conversational back-and-forth than any reluctance on her part. I've been a fan for 20 years, and there was even more first-person in the actual interview. Sample question: "My college girlfriend and I…

Yeah, I tried to fit in "The Saturday Boy" but it was too off-topic. Amazing song though.

The recent political machinations in TX, which basically wipe out the vaguely hopeful note on which the New Yorker article ends, are definitely worth researching, but in general your 100 minutes would be much better spent reading the article.

Wait for the inevitable Dutch supercut.

Yeah, if I had to guess, it's that moment that got him the part.

http://www.youtube.com/watc…

Reminds me of Pauline Kael's comments on the first "special edition" of Close Encounters: "It's like your memories have been mugged."

The last several albums have all featured the phrase "No synths" in the liner notes.

Aquaman and the Woman Without Gills
They're from two different worlds.

Last Mistress is neither a satire nor over the top. I'm not sure exactly what it is, but not that.

I'm tempted to pwn you and say ANATOMY OF HELL, but FAT GIRL is a good place to start. (I'm kind of partial to SEX IS COMEDY as well, a not-too-veiled account of that film's making, but I'm in the minority there.). LAST MISTRESS and BLUEBEARD are major stylistic departures for her, but not so much in terms of subject…

Noble Savagery
Echoing somewhat what Primer says above/below: