“So then Black Krrsantan shows up.”

Of all the great Tom lines and great deliveries by Macfadyen, his telling Greg that he just needed to off a few hemophiliacs in order to be one plane crash away from being Europe’s weirdest king was probably my favorite moment of the entire series.

I mean, I think the irony is camaraderie and love could have worked if they’d applied it. Tom is disloyal because Shiv has so strongly messaged that he isn’t loved. They don’t even account for their mother in their plan. 

As soon as I saw all the kids on the same side for the first time, strategizing in the car, supporting each other, I knew it was over for them. Camaraderie?! Love?! That’s not how any of this works, you dummies.

I think you might be watching a different show than the rest of us. The good news is, it’s not like someone’s holding a gun to your head*—you’re totally free to just change the channel/website and watch something else.

To be fair, when he was a teen he did trash Logan’s prized Ferrari.

Come on. We gotta shout out Alan Ruck. He is constantly benched on the show, and he plays that need for recognition so beautifully. It feels like we all undervalue his work on the show, and this episode gives him a great ending to his season arc.

the network notoriously ousted another comedy legend

tbh, the mom feels like the lead.

Speaking of gross behavior, did everyone else all ready know about this?

He was also great in Longmire, as the Rez sheriff that is constantly hilariously rude and shitty to Walt and Vic.

Yeah, Paul literally jokes in the film about how “in 50 years people will be blaming Yoko for breaking us up because she sat on an amp”

I’m not a Beatles fan, but I found it captivating, and nothing felt like filler.

I personally really enjoyed the minutiae and seeing their process. But I think what I love about this is that it reveals just how normal these guys were. They were exceptionally talented, musically, but they’re also terrible communicators for most of these sessions. No one’s ever really at each other’s throat, as…

That’s how I feel. Mirelle Enos really elevates the whole thing and it’s a passable enough action/thriller outside of that. 

This. I don’t care if it goes through beats I’ve seen before, I like those beats; that’s part of why I watch these kinds of things. It’s like watching jazz players play classics, it’s not about the things that are the same, it’s about what’s different around the edges. And yeah, I’d watch Enos mop floors. 

I think you’re right on there.

Eh, I’m OK with “the motions” sometimes. It’s fine.

Meh, I’m okay with this grade; there are definitely worse ways to spend six hours of TV. The show was never great, but most shows aren’t. It’s a solid, better-than-most, entirely forgettable series. This one is just different enough, just interesting enough, and just inoffensive enough to keep my attention. And…

I’d like to propose a theory now to explain some of the events we see:

I think the running girl seen at the beginning is Lottie, and she’s not being chased by the others, but she is in the grips of a psychotic break by running out of her meds (I’ve read elsewhere that she’s taking pills for her schizophrenia, but I’m…