There is so much potential for this show if they make the next season about the military. Especially if Helena is going to be enlisted in the corps, because you just KNOW she's not gonna take that.

It reminded me of a scene from the novel "Heart Shaped Box," where the protagonist see's a vision of his girlfriend who says it's time for her to go, only to wake up and find that she's still hanging on.
It's the best kind of subversion.

I for one welcome our new one-eyed, revenge driven Rachel Overlords.

#CLONEPARTY

Oh god, I can just see that cold open in the next season…

I just want to say that Mark turning out to be the first from project Castor is amazing, especially because we've known about him all season, but Sarah's only seen him ONCE at the very beginning.

Are you by chance related to Mason Verger?

*Twirls carrousel of safety scissors…*

Hats off to you for The Gentleman=Patriarchy comparison, I'd never even thought of that before…

Dollhouse suffered because it was too much about the people running the house. The whole show was structured to presumably show the fallacies inherent in believing human beings could sign away their freedom, while everything the doll's actually felt was expressed via "questions"

I want Scott to stay at Dyad and be Rachel's put-upon errand boy.
Who secretly replaces her shampoo with a new substance each episode.

Was it just me or did her name in the credits look different somehow…

"Just a little off the top, Helena…"

Do you think she'll be back with an eye-patch and a serious grudge to settle? She could be like a more professional Helena…

I don't see how you can compare ANYTHING to Moffatt if it lacks his kind of "I'm cleverer then you and I'm gonna show you repeatedly" touch.
This season was all about the characters building relationships, and at times it was even possible to forget there was a clonspiracy going on.

Does anyone else notice how Kira on the cast picture is lying there like the family dog?

Wait, does his name actually rhyme with "Zodiak"?

"Night Of Desirable Objects" and "Midnight" annoyed me with their inscrutableness, and how they seemed only tangentially related to anything important.
I think I missed Momentum Deferred tho.

I'll take "Knowledge of Causes, and Secret Motion of Things." over a dozen intriguing yet generic Fringe titles.

I'm just wondering if he understands that the reason she let Aynesley choke was because she thought she was her monitor, when in fact it turned out to be him (albeit unknowingly)