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If that's Cable, he needs a few hundred more pouches.

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That's good and all, but this is still my favorite rendition of the song:

Er, no. "Troy and Abed" is 1/1/2 syllables. That's why I went with Miles and Peter. Unless you're referencing Toby and Abed, and that's totally not a thing, because that happened in a gas leak year.

That's when Spider-man Noir shows up.

You must have not seen either film then, because it was more than just minor changes. Keanu's Constantine, for example, took nearly everything interesting about the character — his tendency to sacrifice his own friends, flippancy in the face of otherworldly terror, and liberal use of guile to outsmart otherwise more

Miles and Peter in the Moooorning!

The biggest of which is time, and this is where the turn-based nature of the game (well, at least the parts already available on Early Access) is really flipped on its head. Each mission has an alarm countdown. Every time you end a turn, this ticks down. After 5-6 ticks, the alarm escalates. Each time it does this,

I remember an old high school classmate once fist-pumped because he had a full "9 million bytes" of free storage space.

Windows Vista Startup Process

I've seen two explanations for Sucker Punch — on opposite ends of the spectrum, to boot — and TBH neither of them truly jive with my interpretation of the film. For me, it's a classic Snyder film: visually arresting, overtly sexual, and failing marvelously at attempts to be deep and meaningful. Still, I find it a lot

I don't think any film got better for me with an explanation. The reverse, however, is true: if you explain certain details of a film, the experience might become worse. Case in point: I liked Constantine and V for Vendetta better until someone pointed out how badly they butchered the source material. Not that I liked

LOL Nolan's trilogy did not have any fun at all, least of all with the villains. Yes, you could say that they were layered like an onion, but there is no joy to be had from them, not one bit.

But you gotta admit that Bay's ability to sell his bad movies to people of all ages is simply astounding.

The maddening drums and accursed flutes that play in Azathoth's realm is actually a copy Linkin Park's first album that fell through a wormhole. The shrill whine of Chester Bennington's voice is the only thing that keeps the Daemon Sultan at bay.

No glowing nipples/crotch = not good enough.

1) Kotaku doesn't "score" their reviews. It's a simple "Yes/No" grade, with additional commentary on pros/cons for granular discussion on a game's quantifiable elements.

Dude, I'm not American, and we pretty much got most of the jokes in Guardians. Kevin Bacon's pretty universal. I'm sure even the Chinese have seen Footlose.

I didn't love it. Yes, it was a good movie, well-acted and all, but it's not a good Batman film. It suffers from its villains having a lot more nuance than its titular hero, who is relegated to being a plot point. That, and the Two Face CGI was horrible.

Nice argument, but I counter-argue that Azathoth himself is the living embodiment of chaos, and is therefore Bay's true patron deity.