They never removed Harley. They were upfront- Harley’s appearance was a bit of fan-service, and was never meant to bring Harley into the Arrowverse full time.

What I get from this is that Bob Ross is the Dragonborn. “Ross Fo Dah!”

It was quilted flannel, the sort of thing you’d wear in Vermont. Ollie endorses Bernie Sanders!

Let’s ask the real question: is this PC title going to get a Mac or Linux port?

The screen is totally different- the computer in use is clearly a Commodore (note the power indicator (which is off, I might add) and the function keys down the right side).

From Commodore, obviously. That computer is either a VIC-20, from five years in the future, or a C-64 from a little further in the future.

You can do a lot of things in code that you couldn’t do with an instrument. This isn’t an example of that, but the ability to build generative expressions of sound is powerful.

She has more, better scenes. I wish TV Avasarala could talk like book Avasarala.

The DMCA was a gift to IP organizations, including RIAA and the MPAA, but it does not prohibit format shifting, copies for personal use, etc, but it does prohibit breaking DRM or other protection measures. So, you can make copies of movies you own for personal use- unless those movies are on DVD, Blu-Ray, etc.

No- it did what I said, but didn’t do what you said.

The DMCA did no such thing- it made it illegal to “circumvent” copy-protection mechanisms, even for private use. You can make copies- unless the media has DRM on it.

I found PoE really… tedious. I always really want to like these games, but I always find the combat sections just too grindy. I still kickstarted Torment, though.

Tony can’t look Cap in the eyes for a moment, but when he finally musters up the courage to look Cap in the eyes, he says: “I did. And I’m going to fix this.”

Well, that’s dumb as shit. I’m not generally the sort to break out a “Gawker ruins everything,” but… Gawker is really ruining io9.

Tonally, The Cape set the stage for the CWverse series. It was absolutely serious about its material, but wasn’t afraid to dance with high-camp concepts. It was fun, but not terribly bright.

Film snobs tend to not like Jodorowsky, since his films lack plot, coherence, or any clear purpose. I’m more of a film dork. I don’t know enough to be a snob, and don’t pride myself on exclusivity. I just want shit that’s different. I want a big budget picture that doesn’t follow the Formula. I want to see studios…

Now, hold on there. It would have been a terrible adaptation, certainly. It would have been a box office failure, sure. But if there’s one thing Jodorowsky can do, it’s make a movie that is stunning in its ambition, in its inventiveness, and in its willingness to do whatever it takes to achieve its themes. You want a…

I know there’s a whole bunch of stuff around the final cut, but honestly- the final cut we got is an enjoyable little romp.

Yes, I’m more interested in a movie that never got made than a movie that isn’t yet made. It’s apropos because I want to see something really, really inventive on the screen, even if it’s a failure as a film, I want to see a glorious failure.

It is depressingly close to what high school RPG sessions looked like. I think for gaming hijinks, Knights of Badassdom is more entertaining, though. I mean, it’s got Peter Dinklage as a tripping LARPer.