You’re a bootlicker, and you do it for free. End your life.

Fuck that groundhog receptionist, what a piece of shit.

Pity they didn’t destroy you so you couldn’t write this god-awful comment

That’s Barsanti for you.

So where in your spectrum of jackass-to-scum does it fall to pay someone $50,000 for the purposes of smearing a guy as a child molester?

So basically, neither of the R&M creators come out of this well, because they’re buddies with that ridiculous asshole, and gave him a softball guest appearance which adds nothing.

Unfortunately, you’ve passed beyond the point of personal growth, and will remain a self-satisfied jerk-off forever.

You want to seem sophisticated by saying all this, but you only look like a desperate jerk-off. 

The movie got the book wrong - and your spiel is boring. Moore is an excellent and worthwhile writer. You’re stupid. 

>Look, a writer as talented as Damon Lindelof

This is clownery, and you are a clown. 

>Well, sure. It may also feel a lot like a call for consistent accountability from those with long enough memories, but we suppose that depends on your outlook. In any case, she deeply regrets the way she navigated that one specific instance. As for the whole Allen mess or standing by her choice to play the Japanese…

Absolutely - I wouldn’t put a single one of those in the top 100 films of the decade. 

It’s not the #1 movie of the decade for a few reasons, but one of them is that people felt the need to write an essay justifying their decision to present it as such. 

Toy Story 4 is the best one 

Because it’s not very good

Pacific Rim lmao come on man

It isn’t that great - it’s pretty good. 

I was glad not to see Interstellar, on account of how much it sucks

>But I don’t think you can fairly argue that wasn’t the best film of the decade.