It's so hated because it's a betrayal of the source material. Plus, the whole thing looks really cheap and slapped together, like the studio was just trying to hold onto the rights to the property.

I partly agree, the movie undoubtedly sucks ass, but does it really deserve the visceral hatred it still gets to this day? I've seen it ranked alongside stuff like The Room as the worst films of all time when it's not even the worst comic book movie from its era.

It's also where Stallone's ego starts to get really noticeable and he starts cashing in on his celebrety status.

While I don't totally disagree that doesn't make the prequels any less awful though.

As I said, the Jabba stuff is okay on its own, but it's completely disconnected with the rest of the movie and it didn't need to be this hackneyed, nonsensical b-plot that lasts the entire first act. If they had managed to tie it more into the Empire plot, it would have improved the pacing of the movie more. That…

The thing with Jedi is just how uneven it is. It has some great stuff but it just isn't very well put together and in many ways a warning sign of things to come.

I wouldn't call a peace treaty between two mortal enemies a 'pretty trivial' thing. There's conflicts between organics all the time in the real world. That doesn't mean groups of people are hostile by default.

It's as much due to his historical significance and popularity than his actual skills (which honestly, in my opinion weren't the greatest and are pretty overrated).

Well said. I wouldn't exactly consider someone with Clinton's rather dubious history as a feminist role model.

I think she's an underrated frontwoman in general, mainly due to her scandalous personal life. As for Hanna, I also respect her, but I was very disappointed with I'm With Her from last year. Someone who was influential in the punk scene should really have more dignity and self respect than to put out something like…

Yeah I'm aware of the behind the scenes stuff. There was also, to my knowledge, a lot of script rewrites. All this stuff really comes through in the final film.

The best was when they can't just run to the side.

I've always kind of disliked it when people use 'stupid characters' against a movie, as if that is inherently a flaw. It's a pretty lazy criticism. Like, Chris Stuckman criticized Green Room because characters made inept decisions - what the hell would he have done differently than them if he was in that situation? I…

In neighbouring Japan, not just 'manspreading' but outright sexual harassment in subways is deservedly infamous across the world. It has gotten so bad that there are seperate carriages for women at certain times. Which, while I think it's well intentioned and probably nescessary in the short term, also doesn't really…

You literally got done negotiating a peace between the Quarian and Geth before the finale, which sort of shits all over the Reaper's logic. Plus it is demonstrated, with overwhelming persuasiveness, that the Geth aren't irrevocably hostile to organics. You'ret right that there might be a resumption of fighting at some…

Considering what you can do in that very gzme, I find the reasoning rather problematic.

It doesn't just destroy the Reapers though. It murders all synthetic life in the galaxy. It implicitly accepts the Reapers' insane logic that organics and synthetics can't coexist and are doomed to conflict. That said ME3 has some great moments , Ican't argue there.

The hate for the ending of ME3 comes from the fact that your choices don't matter, that frills aside they're all basically the same, and that each of the endings proves one of the villains right.

I think it sounds like a godawful attempt to copy an Iron Maiden riff. Perhaps because it was copied to death and I got sick of it.

Point taken (I actually think Eat You Alive, a song about sniffing a girl's underwear, is much worse than Nookie). But Limp Bizkit at least seemed to have some self-awareness of how silly their songs were and didn't seem to take themselves that seriously.