I wondered whether the Olds was possessed by something more significant out of the Necronomicon than the usual Kandarian chaos demon, since the girl that bit the dude's dick off was the Deadite and strangely let the boyfriend live (to get his face run over later).

As far as possessed inanimate objects … there was that possessed doll in season 1.

She didn't help the patients. She was a tyrant that instilled order at the expense of the patients.

I believe this is the reason Nicholson refuses to take part in any interviews about the movie.

Episode 2 really connected with me, since my ex-girlfriend has a tendency to latch onto spirituality and movements. Except in my case it was the new-age spirituality and movements that she saw on Facebook or a YouTube video.

I love the franchise, but kinda hate Voyager (warp 10 salamanders and dinosaurs escaped to the delta quadrant?) and always surprised when someone mentions it as their favorite.

I think one of the main problems with Star Trek movies has been how almost every modern movie steals from Wrath of Khan.

I've always loved the "stealing the Enterprise" portion, and the movie has so many great character moments.

My biggest problem with Into Darkness is that there's no fucking reason to include Khan, and I just didn't find Cumberbatch's performance as good as Montalban's. Khan is not really the main villain, and he's more plot device and fan service than a flesh and blood character with compelling and authentic motivations…

This is an honest question, but was Spawn ever any good?

Julie Taylor was the most hackneyed part of Friday Night Lights for me.

Not to defend Parker —since I just posted a comment calling him a massive jerk— but I do think some of his defenders do have a point when they bring up the contention that critics and Hollywood might be selective in their outrage.

Also, Al Sharpon, other activists, and a few anonymous black directors (who spoke to The Hollywood Reporter) have helped in that area by casting the story as "suspicious timing" and questioning whether the resurgence of the rape allegation was somehow meant to mute the message of a film trying to expose Black History.

While Parker was acquitted, and that legal judgment has to be accepted as the final word from a criminal perspective, I'm not sure it has to be respected as the final word in the court of public opinion. Unless some of you are going to say just because O.J. was acquitted that it means he definitively didn't kill Ron…

Technically, if the show is in the prime universe and set before TOS, shouldn't it sound like a badly synthesized GPS voice?

This is pretty deep down the Star Trek geek hole, but doesn't this movie imply the "Kelvin Timeline" is not an alternate timeline, but an alternate universe?

The best thing to happen to Drake's rep was the beef between him and Meek Mill.

The trailer for this movie really irritated me. I understand the people involved probably want to say something meaningful about income inequality, white-collar fraud, the 1 percent, etc., and those are important issues, but it looks like it's done in the most unsubtle and preachy way possible.

Here's a question I'm genuinely curious about: Has the decision been set in stone for who's being killed off? Or is the reason they decided for this crappy cliffhanger is that they wanted to keep their options open?

Even though Jeffrey Dean Morgan is on "Talking Dead" saying all the right things, I kinda felt his performance was flat as Negan. I'm not saying he was bad, but I thought he came off as bored playing the part, and knew he was basically reciting a script full of cliches used by every antagonist that's in a cliffhanger…