In the context of the vertically integrated monopolies of that era, it's probably truer to say the theater chains owned the studios.

Context is everything. I don't have much interest in film pairings from what limited prints are available to a repertory house. That's a long way from how programming was done in the block booking (or drive-in) era.

We could bring somebody in to do a sound analysis of our theaters, and get correct speaker and dampening material placement…. how much?!? Fuck it, just crank up the volume.

"What do you say we blow this pop stand, go savage a few elves, and then suck on each other?"

Also compare to the MCU movies. They're not exactly cutting edge. Whedon made due with the AV-8 mockup from True Lies.

This for sure. I always used the account name as part of the bit. An on going gimmick account is too much work, an I'm just too fucking lazy.

I just realized all those flavored Smirnoff's are 70 proof.

That, and a whole ocean of Cocaine….

….how much for a pair of fucking headphones?!?

"It's Mal's band, mate."

Not sure.

Disagree. No Malcom, no point. Well, I mean other than an excuse to tour.

So we missed nothing essential.

Survey says: Hire Mutt Lange if you want to sell a shit load of albums.

Nobody wants a train ride over 500 miles, and most American city pairs are that. Darn that North American geography, it should be more European.

It seems like an elaborate hoax to build, and play with, some expensive large scale model trains.

That extinguisher is pointless!

The more egregious crime is making an ACDC album without Malcom.

Also, apparently your Keurig is the root of all evil.

I've always meant to give Earth 18 a listen…..