Marginalizing Daisy Ridley is totally on brand for Disney.

the fact that neither of us know whether or not the new album even has a single is certainly telling. 

ladies and gentlemen, i present you the biggest atlas fan of all time.

What, they couldn’t get Dunkin’ to partner with them and do a pre-licked donut promotion?

Ryan Reynolds shtick has become so incredibly grating to me. Maybe its just all the mint mobile commercials and general whoring he does at every turn.

That’s fucking hilarious.

One of the many highlights: the hotel rooms, for a thousands of dollars per day experience, did not provide fully-paid Disney+ access.

I post this every time there is something about Abbot Elementary. The principal is so realistically portrayed it gets hard to watch some time. So much like a recent principal I have worked for.

I love Abbott, I love Gregory and I love Janine, but I’m a little played out on the Gregory-Janine will they/won’t they. For me, the strength of the show is in the ensemble and how they all play so differently with the challenges of the setting.

Have enjoyed Abbot Elementary from the get-go with one exception - the “will-they-won’t-they” bullshit between Janine and Gregory. It’s tiring and stupid because they always have to find more and more ways in which to drag that shit out. Not every show needs to have this dynamic. Janine and Gregory could have just…

Did I miss something or is this site just writing like two articles a day about Star Wars prequels now?

John Williams’ music.

Krasinski has long suffered the delusional self-confidence that infects many an actor turned auteur: that he can write. This was not helped, I suspect, by his rewriting of what (by reputation) was already a very solid A Quiet Place script. Many actors turned filmmaker are competent visualists but it’s rarer to find…

So...hearing a bunch of Defying Gravity wasn’t enough to clue you in?

Did we watch the same trailer, because the songs were featured heavily.

Galadriel was ridiculously shallow and one-note in season one. “I’m going to scowl and push everyone around and yell and fight for nebulous reasons because the plot demands that I must.” Elrond was written slightly better, but he was given practically nothing to do other than rekindle a dwarven bromance.

They should try not waiting until episode 6 to get good this time around.

The best thing about this show is that Galadriel is a very flawed character, way too confident in her own abilities and willing to risk others for her own vendettas, which we’ll presumably see her grow out of now that she’s had such a horrible wakeup call that the guy she trusted so much was actually Sauron. So of…

It’s not the cast or Chu that worries people, it’s Universal, because their track record with Broadway adaptations the last 20 years, and the last five especially, has been spotty at best.

Yeah, the jury’s still out on the two parter question. No matter how good it is, if part one ends with ‘Defying Gravity’, no one’s showing up for part two.