Starring Andy Serkis as Empty Chair.

The characters in The Informant! were too honest and had too much integrity for this.

"Or the Lobster Cave?"
-Tony Madafferi

An excellent plan made redundant by their manager not noticing anything the programming team does anyway.

And, as a bear, he has the constitutional right to keep them!

Were you there, huh?

Free Willy was taken.

It was a solid setup for a show, but the usual network demand for too many episodes meant there was a lot of ridiculous melodrama that had nothing to do with the premise (why, in the middle of a nuclear standoff are we supposed to care whether that tropical bar owner realises her dreams), the good guys were Marty Stus…

The one they built on Jonah Hill?

Not always — sometimes actors fight for roles nobody considered them for with great auditions and win over the casting director. As someone noted above, Aubrey Plaza had to work extremely hard to break out of her Parks & Recs typecasting.

But Heathiest Ledgiest was the best.

Ten bucks on Jehosephat.

And since they're on TV, they're a light-emitting dyad.

Except Ted McGinley was great.

Kinja is the monorail.

Yeah, it's an album with (largely) nautical themes, but only three songs on the album are sea shantyish — "Blarney Stone", "Cold Blows the Wind" and part of "She Wanted to Leave." And Ween being Ween, these songs don't sound much like each other, and every other song on the album is from a different genre.

I think the trope of "present where people talk in goofy version of modern English" has taken over reality.

The bukkake scene is a wee bit too much.

Letter to the Absconded

Gibbon, being critical of the Catholic Church, has been misrepresented by its apologists. Part of his reason for writing The Decline and Fall was to correct the ludicrous argument that Christianity was what made the Roman Empire so successful, when as he pointed out, the Empire was at its peak 300 years before it…