Nope. It’s the considered rejection of a person’s opinion because the value of their opinion is called into question by needless inclusion of an unnecessary and value-laden addendum.

Nice.

“Yes, it was the summer of ‘65, also incidentally when I got my first real six-string.”

Don’t confuse us with your ‘facts’, man!

Yet they will return to us!

Daft Punk is NOT playing at my house, my house!

YOU’RE NOT MY REAL BAND!

I think that “exploitation” films mean that these films exploit an economic opportunity presented by a particular audience, usually one underserved by mainstream movies. Denigration (ethnic, racial, or otherwise) is usually just a side effect of someone’s effort to make money by throwing a cheap product at that…

That is a fairly adequate summation of my dating life in the ‘90's.  

Kinja loves you. Kinja only wants the best for you. Do not be angry with Kinja. Accept Kinja’s love.

Dweezil will be the guy on the skateboard, lip-syncing to “Dreams” and guzzling OceanSpray.  

“Really? The Asylum crap is “cinema”?!”

So, I’m getting flamed for saying that Marilyn Manson looks like a creep?

So . . . they hired a stalker.

I don’t actually think of Lars And The Real Girl or Her as objectiphile movies.  In both of those, the object of affection (?) is a simulacra of a person, a stand-in of sorts.  Nobody could argue that this character is mistaking Jumbo for a human being.  

Who could have imagined that Marilyn Manson would turn out to be a regrettable choice for a romantic partner?

I was so looking forward to seeing McKinnon beat the crap out of the Avengers . . . .

To be fair, it wasn’t exactly consensual.  Didn’t you wonder why that robot pirate kept shouting “Aaargh!” ?  

Well, there was that time when she said that Allison Brie really wasn’t all that cute . . . 

Leading to the question:  artificial intelligence or artificial stupidity?