Potential Blasphemy: I would looooove with five o's to see a version of A Trip To The Moon converted to 3d. Just the most magical diorama you could ever experience.

On the subject of the Lampoon people, while I like Ghostbusters in generaI I just want to punch Bill Murray in the face every time he gets obnoxiously, uncomfortably pushy towards Sigourney Weaver.

Nolte never really recovered from that, while he has worked steadily never headlined any major movie again. In fact, checking his imdb the only starring role he had after that one was in Neil Jordan's remake of Bob Le Flambeur wich, while amazing, can hardly be called "major".

In my memory the response was more ambivalent, but it was always going to be skewed by a lot of factors, like being the most famous dream project of Scorsese, the summation and definitive triumph of his career and the one that would give him deserved Oscar Glory. Add some very famous battles in the editing room with…

It's not necessarily overrated, it's just the default favorite movie of guys of a certain age that don't really care much about movies and feel it has a sense of profundity and manly philosphy, like a Beaches for men.

I would contend that The Lady in the Water has the best cinematography of them all (Christopher Doyle!), of course nobody saw it so it really doesen't matter if it looks like your spastic uncle's camcorder birthday video.

It all connected…

He and Ian Ziering were hilarious in Domino, but of course, you either already love that movie or completely hate it and everything in it (there's also the 90% of the population that simply ignored it, but I don't care about that tiny fragment of egregiously uninformed people).

I liked Zea in Justified, it was more an issue of the writers having difficulty to write her character beyond "obstacle to our lead being as cool as we like him to be". Still, her pregnant shootout was badass.

This is the first choice - besides the OP - that feels like it truly doesen't have any kind of cult following whatsoever, wich in this age it's quite a feat.

I always liked the idea of Godzilla but it was impossible to find any of the movies way back when. Now I manage to catch up with a few and they delivered on every promise and more.

Just being the mainstream debut of Rockwell's dancing stylings secures Chalie's Angels a place in cinematic history.

Great screwball comedy with proper 80's horryfying morals!

Speaking of ahead of its time, for those few out there who haven't experienced "Chris Eliott - Television Miracle" these will be the best eight minutes of your week:

Agreed on Jason X (boy am I agreeing with a lot of these - do I just like everything?), it managed to do the self aware thing without being obnoxious like most of these post Scream movies were. And it has the Cronenberg seal of quality.

Rented it at 14. Loved it. Perfect age. Found it flawless. Today I see it's kind of a mess but a really sincere mess with some great moments and an honest love for what movies mean for lonely kids that fuels its weird "Purple Rose for Teens" high concept premise.

Never seen it, but just checked its imdb page and besides the Pythons it has Peter Cook, Spike Milligan, Marty Feldman, Cheech & Chong and Madeline Kahn!

From the director of Lone Survivor! Definitively Berg's career has followed some strange paths…

JFK is a fucking masterpiece of pure, unadultered filmmaking and its accuracy is competely beside the point, not only in hindsight, but from inside the narrative itself. The final argument of the movie, delivered by Costner (in his best performance by a country mile) directly to the camera isn't about who killed or…

Let's give the stage to Leslie Knope: