Volume is equal because they are both low talkers.

I never finished Showtime’s The Loudest Voice, stopped at episode 4. In addition to being a scumbag, Ailes was a boring and uninteresting person who didn’t deserve a life story. I would’ve preferred more scenes with Naomi Watt’s Carlson, but she doesn’t have an substantial scenes until the 5th episode.

May or may not be good.

Good: NXT has a decent sized and talented roster for 2 hours.

I watched this show on syndication when I was about 8 and I liked it because it was colorful and the laughtrack told me what was funny. Then my stations stopped showing it so I stopped thinking about it. Then in high school I started watching it in the morning on TBS before school and it became a funny show with how…

The first half he dates Shelley Winters grandniece, also named Shelley Winters. The second half he finds his true love with a conceptual artist who only goes by the name Equinox.

It’ll basically be the same movie his Ride Along movies.

Have a Big Chill-like reunion so you can all watch porn together again.

I remember that scene. I think it was Rob Lowe’s character telling her to let him in to help her. He decides to break in through the door and when he is about to hit the door, Demi Moore opens the door and he falls in.

We all know its Irrfan Khan’s role to turn down. Not saying that’s a bad thing.

The scene ends with Bash saying “feel free to get the fuck out”. There is every reason to believe that no one asked him anything after because he made it clear he didn’t want any questions. They didn’t even know how wardrobe was handled, no reason to believe any details for the next upcoming months were ever talked…

That’s why the Maestro was a fan of the other guy in the Three Tenors.

The lack of external goal or obstacles hurt this season for me. Season 1 had just getting the pilot done, Season 2 was fighting the network and then finding a new one. Season 3 was everyone hanging out in their hotel rooms. It’s still a better show than most, but not quite satisfying this season.

Season 2 seemed to suggest that directing was a place where Ruth can shine. The in-show GLOW finale for their LA network, she was basically co-directing with Sam. Carmen knows the wrestling aspect, but Ruth knows how to put a TV together, which aren’t always the same thing.

- I don’t know if I quite buy that explanation for the lack of wrestling. Or perhaps, I just don’t accept it. Promos are a big part of wrestling, in the case of GLOW, it’s the skits, which are not presently dealt with. The show’s become a hang out show.

Most likely Jennifer Aniston’s character.

- The “slave labor” comment is basically employees ripping on their boss. I do it, so do a lot of people. No one really means they are treated as slaves, though all GLOW wrestlers believe they should be paid more. Like I do.

Beasts of No Nation? I didn’t care for Pacific Rim, but that movie has a lot of fans.

- The making-of documentary on the Phantom Menace dvd is great. “This is real. This is real. This is real.” Spielberg visiting, “This is gonna be great, gonna be great.”

You’re not a wrestler until you wear a fanny pack.