Right there with you, this episode was like a meditative powerhouse of visual narrative. I love the way the timelines are being edited together, how day and night passes through the show while the viewer is gradually presupposed inside Twin Peaks more and more often… the dark synths are steadily binding scenes…
Wally Brando
notten
Wow, Cher, Wow! https://www.youtube.com/wat…
It's all about the bunny.
I'd just like to point out how there's now a direct visual similarity between Mr. C's Ace of Spades card (what he wants… the Experimental "Mother"?) and the symbol that Major Briggs drew under the "crescent moon" above the second "peak" in his note for Bobby. I am left wondering who (Mother?) is responsible for the…
My pleasure:)
It's like, these spaces between sound and image are opening up and being explored. I think it's impossible to complain about Lynch's patient visual pacing when seen from a Visual Studies perspective. Every image we see has its own after-image, but these after-images are largely just our unconscious visual perception.…
This was my intuitive feeling upon first watch too, that Laura is coming back to life. She did say she would see Agent Cooper again in 25 years, after all. The concept of 25 years wouldn't seem to apply inside the Waiting Room or the Lodges. We as viewers can project time moving forwards in a straight line inside…
Exactly. I believe it's helpful for one to remember just about the most substantial visual & narrative "clue" in the Twin Peaks "universe": the opening shot of Fire Walk With Me. The television has been broken.
There are mysteries even within the answers. And there are answers within the mysteries. Interesting that many of the loose ends from FWW+MP are being even further strung out, or rather, their resolution is being PROJECTED. One powerful moment of Episode Six 4 me was at the beginning. Dale STRUGGLES to refer to…