Dude, spoilers.

Yeah - that was the very first thing I noticed.

The type of guy who does this shit most likely won’t lose too much sleep about dumping his angry girlfriend and moving on unperturbed and carrying on with his behavior without giving it any thought as to why what he’s doing is fucked up.

That was the best thing about Scooby Doo though.

Is Velma supposed to be a sectoid/Grey Alien in disguise with he big head and tiny body?

Are you talking about the ambassador to the republic scenes? Because those scenes sound like they would have just been more of this:

Why you hating on Irvin Kershner?

I think the main argument for diCaprio not winng an Oscar is: He is not a bear.

Few hours? Haha. No.

ead

Yeah, the only time I thought about the prequels at all when I was watching this was when I thought, ‘Adam Driver would have made a pretty great Anakin.’

These are funny but this one:

I noticed that and immediately thought, ‘Someone can get a battery pickup from one of those if their shields get low!’ Thank you Dark Forces.

I like how with the exception of R7, after R2 all these became less and less aesthetically pleasing.

Yeah, as if it wasn’t already a big enough crutch.

Anyone who dislikes Wall-E probably died inside a long time ago. I dunno about Up, haven’t seen it yet.

I am always genuinely surprised when this happens in a modern film. I sit there and think, ‘Haven’t these guys even HEARD of TVTropes?’ (X-Men First Class always stands out in my mind for this)

Well, ask yourself, do you really want to go to the cinema to see the adaptation of a work-for-pay book that was written 20 years ago? Would you be as excited to go see a new Star Wars and already know the story? Would you want to see the book that followed it, which was written by a different author and not as good…

More like, The Force Hits The Snooze Button