Back, as in implying she ever stopped?

Enjoyed it more than I expected. Definitely felt like a proof of concept for bigger things.

There's gossip that the movie had substantial reshoots twice to get it into the shape it's in. Some actors are credited despite not being in the final cut.

Oh I see the kool aid that lifted the girl in the air came from a hole in the kitchen floor. Not anywhere else. That would have been awkward.

Can't wait for the episode where Trevor yells "Fuck it" and spends the next hour exiting and reentering the same room to grind for xp.

I don't recall Robin Williams ever mentioning motorcycle gangs.

That little moment before the scene ends and he's like "Wait, that may actually be a good idea" was great.

The freaks never suspected because he sent them out to promote tolerance and battle Boss Tweed's Tammany Brotherhood.

And the domestication of the dog continued unabated.

The voice acting reminds me of early-00 movie tie-in games starring the original cast who either received bad direction or couldn't be bothered to care.

"That was important not just for pacing, but to create a sense of genuine love of weddings among the crashers—because otherwise, those guys are creeps."

Seems flimsy unless he can prove the writers copy and pasted sections from his writings into the script, which is unlikely.

I suppose incredibly similar to Ave Ventura: When Nature Calls.

"You eat pieces of shit for breakfast?"

To his credit he removed one or two of the love triangle scenes. Some of the gore is practical too, like the random shot of the head with flesh leaking out of the neck.

Hmmm… Knoxville's probably gonna be deserted that Friday.

I think one of the more uncomfortable things about this movie is Female British Lead comes across as an amalgam of Bay's 16-year-old hangups over Kate Beckinsale.

That's the most disappointing thing about TLK: No psycho murderer Prime. His bloodlust is sorely missed.

I am in a bar trying my goddamndest not to burst out laughing.

That's incredibly accurate.