It’s still kind of amazing how Green doing the 2018 Halloween was such a revelation that revitalised a dead franchise, and then the following Halloween films were diminishing returns and now Exocrist (which should be a pretty easy slam dunk) is getting appalling reviews. 

 And then all his clothes fell off! 

A lot of the celebrity cameos in Extras are kind of painful to watch. But definitely not Stewart, who absolutely stole the series in a single scene. (McKellen is alright too, though he doesn't have as memorable a hook). 

If the victim was happy with the apology, who are you to still hold any kind of grudge?

I know Harmon has made mistakes, but I’m always happy that he has a complete self awareness of his own faults and seems to make genuine efforts to improve himself.

There was no real need beforehand for us to know what Roiland's creative involvement was. Given that Roiland did the central voices and was essentially the face of the franchise, he was protected a lot. 

I particularly love that Dan Stevens is already British, yet he’s dialled up his natural accent to make his character as British as possible. Also hilarious and perfect they came up with a story excuse and immediately lampshade it

I’m not defending Polanski. Just attempting to speculate what the mentality around the support in 2002 was built around.

I think a lot of the support was largely sympathy for the unthinkable tragedy of the Sharon Tate murder. 

 X men origins wolverine turned a profit. Black Adam didn't. 

Brosnan being great in the nothing role and immediately killed off was the biggest reason to not bother with any sequel.

I love the spite store so much. 

Many thanks for sharing!

 What's the new yorker article?

Glen Garry Glen Ross is the only Spacey thing I can, and always will rewatch. Partly because I love that movie with all my heart and partly because it helps that Spacey plays a completely awful bastard in that, and not an obnoxiously smug bastard, just a straight dull one who exists purely to be hated.

One of the greatest joys of the last few years of pop culture has been the end result of Nolan moving Oppenheimer to Universal out of spite for Warner brothers, and Warner brothers scheduling Barbie on the same day as Oppenheimer out of spite for Nolan, has resulted in TWO radically different, but exciting movies by…

Beyond the sea used to be a guilty pleasure movie for me. Mainly because I used to love the sheer baffling hubris of Spacey casting himself as a man less than half his age, and while Spacey sings surprisingly well, the whole movie feels like him building a movie just to engage in his own attention seeking. It used to…

Margot Robbie just seems utterly perfect for Barbie. She always has that beautiful fragility to her on the outside, but underneath she has strength and personality. Probably why she specialises in roles like this in a lot of movies (Tonya Harding, Harley Quinn, Sharon Tate).

What we do in the shadows should also be drowning in emmy awards. 

I'm sure Fran got her job through genuine merits, but there's something so hilariously surreal that the actor union is being handled by the nanny.