The only person who would tell him that sort of information would be Mike, and Mike has no reason to tell Saul about it. 

If anything this just makes Mike even more tragic. He tried to protect Nacho as much as he could, but I suppose the silver lining is he secured Manuel’s safety with Mike’s help. 

Took me about 3 episodes to realize “oh, they’re just letters.” I don’t think they hold much significance beyond that. 

Hence why I was referring solely to the outro, not the rest of the song. 

The outro of “25 Years” rules. The last time I saw them live they did a weird medley of “Cemetery Gates” (just the intro) which went right into the fast riff at the end of “25 Years.” It was a weird mix but it kind of worked. 

He did kind of start out just like Jimmy, only if he worked at a school for blind kids instead of a miserable writer. But they’ve changed him a lot. 

Agreed. One of the biggest SNL complaints of the last 10 years is “they don’t know how to end sketches” but this year and last year I feel like they’ve put more effort into that sort of thing, and the end of that sketch with the Mario death sound had me howling. 

And the guitar guy at the campfire was the film’s director, the great David Wain! 

S3 spoilers 5 years later - Evie’s revelation that the GR was pointless hitting her just as a drone strike missile is about to blow her and the GR up was a great gut-punch and also kind of hilarious in the S3 opener. 

Rudd being the asshole and Scott being the affable one was the best thing about that movie. And the kids were great too. And the fake Wings song, “Love Take Me Down (To the Street)“

They’ve already put the 20 year old Kate in a fat suit this season. They made multiple references to her weight gain earlier this season. 

I could watch Butch Vig just pan the different guitar tracks from that album all day. The way he used the two different distorted amps and blended them made that album sound so massive. 

Wrestling is quite possibly less popular now than ever before in terms of audience size. Bullet Club was influential within the pro wrestling bubble, but outside of it, nobody knows what the fuck it is. The nWo was exponentially a bigger deal, and led to a much bigger boom period for pro wrestling unlike one ever seen…

Lieberstein was a hack showrunner and the last 3-4 seasons are proof why. It still was a good show, but it felt like an entirely different show than the first 3 seasons. 

He does that on most sets he’s on. If he’s playing an American, he’ll keep the accent going throughout the entire shoot. 

Sixx has been sober since 1990 and seems like a pretty big dude, I wouldn’t mess with him. Poor Mick Mars can barely stand up so he wouldn’t be a problem (and he’s like legitimately 70 years old), Vince is fat and can’t do shit, and Tommy seems crazy enough to accidentally kill you. 

That critical approach reminds me of when The Hangover came out, wasn’t particularly well-reviewed, became a massive success, and then The Hangover Part II was met initially with positive reviews, before fans and critics realized “This fucking sucks” and then Part III was universally panned, despite being way better…

He has spoken for decades how he gets paid a flat fee to record as an engineer and thinks it’s criminal that “Producers” get a percentage of an album in perpetuity. I respect the hell out of him for that stance. 

“Thankfully light on poop,” - The AV Club.

This is the dumbest thing I’ve read on here in a long time, and that’s saying something.