Also, Stargirl and the JSA (including Dr Midnight and Hourman) already appeared in several episodes of Legends so it makes sense (well, comic book sense) that they aren’t sharing the same universe.
Also, Stargirl and the JSA (including Dr Midnight and Hourman) already appeared in several episodes of Legends so it makes sense (well, comic book sense) that they aren’t sharing the same universe.
Oliver doesn’t get the white leotard when he becomes the Spectre
but bringing back Michael Keaton’s Vulture
As a midwesterner who lived on the East coast for years, this isn’t unique to the midwest. I’ve also had square-cut pizza in ROME.
When you know you’re making a trilogy (or series) of movies, usually you create a character backstory. Say what you want about George Lucas as a storyteller, at least he had a pretty concrete idea (a few major revisions as he went along, aside) of the greater story he was going to tell. Maybe you don’t know if you’re…
Cathy Lee Crosby.
Did they do that with Supergirl/Superman and J’onn?
Kind of crazy just how many characters from that iconic cover are either involved in Crisis, or have appeared on the Arrowverse shows:
I’m hoping this will be good after the disappointing SPECTRE, though “No Time to Die” feels like it was made from a James Bond Title generator. Craig’s Bond went from greenhorn to Double-Oh-Fossil so quickly that I’m surprised it’s not actually close to a reasonable time to die for him.
I love you said Amy Ryan, I had the same reaction to her in The Wire that I did to Coon in The Leftovers - looked forward to whatever they popped up in next.
My wife binged the first season while I was working at home, so I heard it and it didn’t really interest me. Seemed like heavy, religious cult stuff.
I’m slightly worried about going with so many classic characters here, but it also might be that Reeves is playing more the long game here.
Farrell is great the same director’s Killing of a Sacred Deer.
How do you know it’s the last one?
The Cantina Band started as a Jefferson Starship cover band!
It’s been a few years since I’ve read it, but a big draw to Lethem’s Motherless Brooklyn was the contemporary Brooklyn setting, so I have a hard time seeing Motherless Brooklyn as another bourbon-soaked period piece.
I give them credit for using the original designs but, as a 2D Animator, I can tell you that it’s often a fools errand to translate a 2D drawing directly into 3 Dimensions. It comes out looking like a weird toy, especially after it gets over-textured. I’m always reminded of the 3D Homer Simpson in the Treehouse of…
True, true. At the time, I didn’t care that they killed her off. I guess it’s looking back and seeing that they didn’t have anything better up their sleeve, makes it a wasted opportunity. It felt like a TV-making decicions that they hadn’t fully thought through since they brought back Laurel as Black Siren just to…
Sara was the original Black Canary, who is still the best. Laurel as Black Canary was a downgrade, but still her best self over the course of the series - finally confident and mostly independent, basically what Dinah is supposed to be but never really stuck the landing. And Black Siren’s 3 season long redemption arc…