Nah, you just must have missed that announcement months ago.

I'm not quite opposite of that, but somewhat. I liked him on The Daily Show, like him in dramedy/dramas, couldn't stand him on The Office.

Miles Morales debuted when The Amazing Spider-Man was already shooting. As this article even says Bendis was partially inspired to create the character in the first place by Glover's crowdsourced campaigning for the lead in that movie.

Anthony Michael Hall would be less expensive than Helms, and a hell of a lot better.

He's just doing Live By Night, he has a thing for adapting middle/later chapters of Lehane's ongoing series I guess.

It's a sort of sequel to The Given Day, which was a lot more sprawling an ambitious than Lehane's usual crime work, and depicts a really interesting period. I'm pleasantly relieved it hasn't been crammed into a two hour prestige movie yet.

This! That series always read like an HBO show, and as well done as Gone Baby Gone was it missed the best parts of those books: the characters and their histories/relationships.

Even if you didn't enjoy the story the movie told, this could work, the setting and b-movie feel divorced from the twist that can really only work in book form could be different. A Scorsese-influenced gangster series would be something we've seen far too many times.

Sure but it's based on a 6 year old reboot of an obscurity, and that reboot only ran for a few issues and other than the Marvel logo in the ads its marketing didn't connect it to The Avengers.

For the record I'm not arguing suicide as a selfless act, but the truth is you have no idea what will be worse for the kid in the end: being raised by someone in such a position, or losing them. It's like parents that try to stay married for the good of the kids without thinking that maybe putting an end to the…

Lexus, Audi was I Robot.

It's the trailer that always comes to mind when thinking about spots where they borrow lines from other scenes or straight up change dialog from what is heard in the movie. In the trailer you hear Colin Farrell say "I have a warrant in my pocket that says murder" and Cruise looking aghast at him, when that…

Oh no! A movie changed something in adaptation, put a warrant out for Yates' arrest!

That's more on Kloves' approach and the source material being overly complicated for relatively simple stories than on Yates.

There's no reason to hate what's on screen, it's just that it holds back too much of Voldemort's back story. That's because it follows the Cuaron playbook of stripping the books down to focus solely on Harry, which works fantastically for all the other ones, but they kind of needed to break it there.

It's kind of sad David Yates, the interesting drama director now has no career to speak of and has had numerous projects fall apart in the interim and has to just turn back to this. (Though he did just direct a pilot recently, I can't remember what it was though) At least parley your return into funding for a passion…

Promotional funding provided by: IBM Watson.

I always gave Katims the credit for the best of Friday Night Lights, but with this news and the worst-side of Parenthood in evidence I'm starting to doubt that.

I'm right there with you, I want it to embrace the schlock and stop attempting to write drama and real-world scaffolding, because all of that makes no sense compared to the way things would actually be and the characters/dialog are terribly written by-and-large. The second half of this week finally started to tip into…

It isn't as laugh out loud hilarious or as tightly plotted as the first two, but I really liked how they handled darker character drama within its confines, and there are still plenty of laughs.