Nura Nal (Dream Girl) and Mysa Nal (The White Witch) are future members of the Legion so maybe Brainy saw a family resemblance.

Don’t know anything about the other films in this series but The Death of Superman is a post-Crisis, not a pre-Crisis storyline.

Classic Lalo Schifrin theme song from the original TV series - the film producers just lucked into it.

Having lived in NoVA and worked in DC in the 80s, I appreciated the use of Roy’s and Armand’s. I was a little disappointed that Phillip didn’t rent his video from Erol’s but then I’m not sure if they had a decent selection of foreign films.

This was reworked into Who’s Watching the Kids. I watched both because Caren Kaye.

Not to defend him but I believe the Dr. referred to the non-honorary Doctorate in Education he actually got from UMass.

If Netflix wants to open its own theaters, no problem. If Netflix wants to buy Landmark, that could be a problem. Would they become Netflix-only venues or favor Netflix produced films? In some locations, Landmark is the only option for independent and foreign films.

The recipe seems to be missing one important detail - Do you set the IP to High or Low pressure?

Um, it’s a pretzel, a Philly soft pretzel.

The Man from U.N.C.L.E. was an American TV show, not a British one.

Not only do I remember The Freedom Fighters, I own a piece of original art from their short-lived title from the 70s.

Not unless we find out that Iris is actually from the future and was adopted by Joe and his Ex.

IIRC, The Trial was purposefully stretched out to meet the demands of Crisis. Hence, it’s seemingly interminable (and infuriating) length.

A couple of nits to pick with Stein’s funeral:

No love for the Dayton Labs callout? Steve Dalton, adoptive father of Beast Boy (Changeling) and a superhero in his own right as Mento.

Nazis rule on Earth-X because it’s an homage to the (pre-Crisis) comics where Nazis won WWII on Earth-X giving rise to The Freedom Fighters (which included The Ray). It’s Berlanti giving diehard fan service.