Oh, she's not. I just meant that Stagg is comparable to her in that he's beginning to feel like a go-to character. Even so, he's still nowhere near her league when it comes to prominence or popularity.

Yup. I don't know how many people ended up watching that show, but still, it means the choice to use him isn't quite as out there as the article suggests. He's still a D-lister, but one that DC appears to be making a concerted effort to keep using; much like Amanda Waller is the go-to black ops character, he's…

I like him, although I'll admit that's partly because of a tendency of mine to like characters others don't. Would I seek him out as friend if he existed? Probably not. I would still wish him all the best luck in the world.

I love Ivonne Coll over on Switched at Birth—a series that feels like it could be this one's spiritual sibling—so I'm glad to see her getting a starring role, particularly since that show hasn't been using her character, Adriana, lately. I'm skeptical about how good Jane the Virgin could possibly be—that premise—but…

I was set to like this show, given how ready as I was for works set during this particular Star Wars era (I'm not sure how much the Expanded Universe dealt with it), but in the end, I didn't think the first episode succeeded in making the series look commitment-worthy.

This is a good point. A very, very good point.

So essentially the plague is the medieval version of the zombie apocalypse. I can live with that approach.

As Kayla mentions, this week's defendant was so Colin Sweeney-esque that I was left hoping, that they'd had gone all out with it and just cast Dylan Baker for the role. That way I could pretend that he was actually Sweeney after a name change, and that this, The Good Wife and Gilmore Girls were indeed all in the same…

All good points, which I'll have to keep in mind during a rewatch. Thank you.

I might need a rewatch—Sonia's review gives one a lot to think about—but I wasn't feeling this episode a whole lot. The case of the week felt especially pointless—I missed the part where the money for bail came from it, as well as the explanation for how this all fit with the "Ms. Chumhum is possibly leaving for…

That…doesn't seem wise. If a huge part of the problem is the military being placed in charge of stuff they don't understand, then the way to solve that is to shine a light on that stuff as Widow did. Taking the trouble to hide this stuff again does not feel like a particularly logical (or moral) course of action—par…

I was ready to dislike Gotham based on the dismal reviews I'd read, so I was surprised to find myself getting into it. The series has an identity crisis and is lacking some directorial polish, and the dialogue needs work, but my relationship with super-hero narratives is at a stage where trial-and-error…

Aaaah, Sonia! I hadn't even considered how the State Attorney's office treatment of Cary could have been related to Castro's humiliation at Eli and Peter's hands! I love these recaps.

"Solution": Replace the names with their The Good Wife equivalents. "Madam Secretary, you do not chumhum yourself, your aides do your chumhumming for you."

Actually…the names do come up, in show, in a moment that could very well be unscripted. "Othello" and "Desdemona" are seen in Lexington's computer screen when he is working on Coldstone in "High Noon".

SLG passed on renewing the license after the fees were increased to the point of unfeasibility.

*Puts on Gargoyles-geek glasses.* Actually, there is, in fact, and in-show reference to those names, although it's possible it's not scripted. The computer Lexington is working with in "High Noon" features the names.

Ditto, and it makes the clan's okayness with their eventual living situation, as seen in the comic books, somewhat hard to take. Is it the best possible choice out of a host of various bad ones? Possibly. And yet, I don't see Elisa ever being okay with it, and the fact that it's never really discussed is one of…

As I understand it, Weisman goes on to explain, and later canonizes to a degree in the comic books, that gargoyles only produce eggs a limited number of times in their lifespans, at some very defined points. You wouldn't have eggs of different ages in a rookery.

"City of Stone" Part One has Gillecomgain bleeding after his face is slashed by Demona. "Hunter's Moon" Part One actually removes that blood when it revisits that scene, but has Brooklyn bleeding when shot. "Double Jeopardy" has a Steel Clan gargoyle slash Goliath, and while no blood comes out, the gashes are…