mhall15nyc
Mark Hall
mhall15nyc

Red herring!

Soylent Green?

My Ipad 4th generation, turning my desk top into an ever increasing dust bunny for five years. I did have to fire it up last week for more Turbo Tax fun, but that’s about it.

Obsolete in two years? That’s laughable. iOS 11 still supports the iPad Air which released in 2013. And my 2 iPad Air 2 run like champs.

Spot on. Thanks for that comment.

I don’t know if you’re new to this website or what, but “balanced perspective” and “Hamilton Nolan” are what we like to call mutually exclusive.

Have you ever read this “writer” before? He hates anyone who is successful and/or makes money. This is his tired old schtick.

Counterpoint: All Billionaires are assholes.

Hey, remember when Chris Brown almost killed Rihanna, and everyone just forgot about it, like it never happened? That’s weird to me.

I had to be the only black person in America who didn’t celebrate when OJ was acquitted. All I saw was a domestic abuser who finally killed his victim and that’s something too many men get away regardless of race.

He should be in jail whether rich or poor, he murdered 2 people. He got off because his corrupt attorneys played the race card and made the trial a circus. He got off because a black jury put race above facts, evidence, and DNA.

The kid could have not jumped him.

yeah that doesn’t mean you cheer a murderer getting off

Actually, Fury Road isn’t really a film. Its a feature length chase sequence.

Apes is a seminal classic about mankinds’ self-destructiveness. The first movie is unequivocally sci-fi. For 1968 it’s state of the art sci-fi.

I think the list is missing a lot of Gilliam - Whether Brazil, 12 Monkeys, or even Adventures of Baron Munchausen.

Most of the list isn’t sci-fi. But you know what’s missing? Brazil.

All the sci fi awards of 1985 should have gone to Enemy Mine.

ゴジラ Gojira, that is, Godzilla for Best Foreign Film. The original Japanese version, not the bastardized US edition with Raymond Burr shoehorned in. Yes the effects are cheesy by today’s standards, but the film is a dark, brooding morality tale about nuclear warfare and a half-mad, conscience-racked scientist with a

You make Koko sad.