Fish monster love story? The long awaited Troy McClure biopic?
Fish monster love story? The long awaited Troy McClure biopic?
I thought Noah was great, actually, but rather than engaging with “Christian” themes, it was Aronofsky at his decidedly most Jewish. I appreciated the fact that he actually took Noah seriously, as a kind of “failed prophet”, and integrated some of the Bible’s more unsettling esoteric elements that the…
So soon? It’s been nearly a decade since the last Hellboy movie was made.
Though controversial at the time, I still contend that Werner Herzog’s entry in the series, the Futility and Furiousity of Fastness, is the high point of the series. Better even than Fast 5. All those long, sweeping shots of empty cars being consumed by nature. That scene where he made Vin Diesel and Paul Walker…
Are there any non-awful characters in the franchise?
Personally I am shocked that a movie studio would be so craven as to take two popular movie characters from a billion dollar a movie franchise and try to make a few paltry hundred million on the side. No other movie studio in the world dare try to monetize a franchise in this manner. What is this world coming to.
Sort-of hot take: the languid pace of the original Blade Runner let the viewer drink in its environment, its most memorable element. The relative ease of CG lessens the tendency for the modern filmmaker to show off details, especially if it’s at the expense of what is deemed necessary for modern movie pacing.
I think Drive Angry and Machete are both equally enjoyable, but I do agree that Drive Angry is a much more “in on the joke” movie than Machete. However, if you were put me on a desert island and force me to choose one of those to bring, I’m going with Machete.
The only way I would watch this is with Crow and Tom Servo sitting next to me.
“Ahhh...henh haha...uh...oh, um...”
Over the last few years, Chance The Rapper has become one of America’s—and, specifically, Chicago’s—loudest, most…
The funny thing about this whole thing: that burn on GOT was accurate.
Apparently Tina Belcher became a writer this season and we never even knew.
“Hey, we know that looked like it was sloppy writing, but it’s only because we had to cut some bad writing that just couldn’t fit.”
“Hey, this season-long storyline has been kind of weird and poorly explained, should we leave in this brief scene that at least makes the ending vaguely understandable?”
That’s why my theory was always that Arya was assuming LF was listening in on the confrontation with Sansa, and dropped that line about the pretty dresses hoping that LF would take it literally but that her sister would pick up on the subtext.
I’m no genius, but wasn’t that obvi that Bran clued the sisters in? He jumped in during the “trial” which, judging by the sisters’ unsurprised reaction, told me that the three siblings had been talking.
Fine, but it doesn’t really explain why Arya would suddenly feel all murdery with her sister, and start talking about taking her place to wear her pretty dresses—something she explicitly has been shown not to care about.
Sooooo I’m a complete neophyte when it comes to GoT, with only a passing familiarity with most of the characters and virtually no knowledge of the lore. But from a sheerly dramatic standpoint, if someone was going to have to die to fight off the ice zombie invasion... wouldn’t it be the most dramatically satisfying…
Still hoping for Jamie Lannister to be the one