mgoldfarb
goldfarb
mgoldfarb

you might want to look up the word ‘Eucharist’ for a good laugh.

no, it’s just unusual for writers to leave the project entirely and so publicly, they would always be kept on (esp this early) for re-writes etc
Lindelof is also someone who often acts as some kind of producer for many of his projects (if in name only).

I think this is part of a larger set of changes happening with Star

yep - a real case of diminishing returns.
If they had planned a tight, logical trilogy, it would have been a real classic, but like so many other things, the more money they made, the more money they wanted to make.
The third film is a boring mess.

right - new characters and new types of stories that are not the thing that people already know and like :)

disaster.

it doesn’t.

you can never have another ‘lone guy killing people for reasons’ movie/TV show because it will always be compared to the Keanu movies
you’ll end up with some kind of generic ensemble TV series (https://www.imdb.com/title/tt6486762/ ) - that will not resemble the films - so what’s the point?

the first one is a very good modern take on the action films of the 80's - very simple plot/characters, amazing action.

https://ifdb.fanedit.org/fanedit-search/tag/originalmovietitle/it/?criteria=2

And I’m like, ‘What if he has a sword on his back?’ And he’s like, ‘That sounds cool.’”

yes, if something sounds cool you should just automatically add it to your show.
jesus....
also, hello!?! ‘samurai’? - I think you mean Ronin.

Greef Karga clearly doesn’t understand the concepts of ‘creative bankruptcy’ and ‘making shit tons of money on toys’.

got to watch out for Big Corn

How is it that there have been 12 (TWELVE!) Children of the Corn films?


there is very little discussion going on about the personal responsibility that people have in regards to these advances.
People sign contracts all the time without knowing what is in them, then complain about consequences that they should and could have been aware of.
This isn’t to say that if you’re working for a

here is the correct link

re FAST X:
I want all of them to die painful fiery deaths - except for Jordana Bruster, her character, after the events of the film, travels to a small New England town and solves local mysteries in a new series of Hallmark TV movies.

the times Swamp Thing interacted with Superman and Batman during Moore’s run are pretty telling in how different in tone they are.

it’s the same question as - why the fuck is there so much film/tv/books/ set during the US Civil War?
it’s an environment packed full of what people think ‘good drama’ should have:
war/destruction
brother vs brother style conflicts
a strangely black an white conflict (no pun intended) - the South are the obvious ‘bad

well...bold and some of this sounds interesting....
but once again they fuck up Swamp Thing

after making a stupid TV series that just didn’t fucking get it, now they’re making a movie that will try to reinvent the character...

Swamp Thing should absolutely be done as a TV series - there is a template for the episodes