The actual figure came out to be, precisely, $72,000,000,000,000.17.

He also voiced Manny in the toddler's show "Handy Manny."

That would explain the paralysis. And the voiding of my bowels.

This episode made my body feel all these warm and fuzzy sensations. What's happening to me?

I think this episode is accomplishing a couple things:

The best part of that gag is how the ship is impossibly intact, being there's no way to pull it out of the hole and not destroy it. And it basically goes overlooked as quite a feat… cuz it's Andy.

I wonder if they're splitting the season for a story reason. What Tom Hanks arranged with Zemeckis for Cast Away comes to mind. Time off between a split shoot to lose some substantial weight. They do have to settle this whole terminal cancer angle, perhaps Bryan wants to lose some weight for the character.

Feels like two, disjointed shows right now. Both intriguing in their own premise (Detective in two realities / Dad or Husband in two realities), and it seems they're hinting they tie in somehow to a larger conspiracy to hide something that lead to his hit. It really needs to start paying off, if it's the case,…

Isaacs sounds like Dustin Hoffman. Once it is heard, it cannot be unheard.

Never underestimate a milquetoast chemist with terminal cancer.

Love this movie, it's very underrated. Se7en and Fight Club are on another level, but for me, it ranks much higher than Panic Room ( for which I had very high hopes for, too).

Hershel's a dead man. Giving the watch to Glen in the prior episode foreshadowed his imminent doom with the subtlety of a nuclear explosion.

He probably was, and if indeed he did the VG work 10 years ago, that was only a year or so after Ep I hit theaters.

In other news, the naked baby swimming for a dollar on the album cover of Nirvana's Nevermind, now 20, is doing pretty fucking awesome.

Hey, that's the sound lightsabers make!

Two suns, right?

His style is potent, his direction is inspired, and while the stories he writes or chooses to tell are almost paper thin or convoluted compared to the aforementioned, the emotion he's able to pack into it makes it feel like the film should fall apart under its own weight, but it always seems to hold for me.

SCKOWN!

It seems obvious to me (contrived as it is) that this whole Ann and Tom thing is just to show Chris how jealous he is, and will regret breaking it off with Ann, eventually crawling back to her.

I dig it, and think the production and autotuning isn't a problem, since these are guys who have already recorded and produced several albums without all the digital voodoo. It almost seems like they're using it ironically while embracing it.