This film is closer in tone to "7:35…" than anything else he's done.

And Lin-Manuel Miranda might have gotten the O in his PEGOT.

Fred Willard?

2nd Fun fact: The video for Peter Gabriel's "Sledgehammer" was produced by Aardman Animations, the Oscar-winning studio behind Wallace and Gromit, Shaun the Sheep, Creature Comforts, Chicken Run, and more.

Successful, yes, but only after NBC cancelled it after its 1st season and CBS picked it up.

as I pointed out, he was a prominent 2nd wave feminist.

Most people who do douchebaggy things are that way because they are carrying something heavy, and they dont know what to do with it.

Before Rick and Morty, before Community, Dan Harmon created Prison Prison Break: https://youtu.be/tM7DeaVwJPc

There's a pretty hilarious podcast about Vanderpump Rules, "Sexy Unique Restaurant" http://podbay.fm/show/11033…

Not ONLY was it a single, it was nominated for Video of the Year at the 1986 MTV Music Video awards (losing to Dire Straits' Money for Nothing). Still, pretty good stuff: https://youtu.be/AWtCittJyr0

PRAISE CREECH

You did not read what I said, or you're trying to misrepresent me.

Sounds like you chose the wrong website to comment on then.

Sad times indeed we live in when work as varied and broadly appealing as Everybody Wants Some, Arrival, Green Room, Hell or High Water, Midnight Special, and La La Land can all be labeled "arthouse films" as if your average everyday Joe or Jane on the street could find nothing of interest or value in them.

Putting aside that's it's way too often cynically used to mock people legitimately attempting to create, you know, art, "Oscar Bait" is one of those terms like "hipster" that's so overused it's lost all meaning. Oscar Bait, in it's classic sense, is stuff the studios spend a lot of money on with the primary desire of…

If you actually wanted to have a discussion and not merely stir shit, you could post your own list.

I've said elsewhere, I suspect this will be 2014 all over again: a thoughtful, wildly acclaimed coming-of-age tale VS a slightly-less-acclaimed, highly theatrical ode to the life-changing magic of The Arts. Moonlight, like Boyhood, will take home a single supporting actor Oscar, and maybe Best Screenplay, and nothing…

Yes, I think that describes every year. There's never been a "bad year" for movies, just ones where maybe there were more heavily-hyped disappointments than usual (and so you had a dig a bit more to find the great stuff).

Saw it over the weekend. There is some shocking violence in the film, but none of it is inflicted on non-humans.

Interesting that it's always hatemongers trying to tell people that hatemongers don't exist, or if they do exist they're nothing anyone should be seriously concerned about.