what's the title of the song?

holy fucking sht that was an amazing heist job. rewatched it a couple times there may be 2 spots that are phantom edits but there is a seamlessness and naturalisim to the way the camera moves that idgaf. How did this happen on our little sweats Fincher styled show.

finally playing assassins creed comes in handy

Also where dose the LEague get those scarves? the Spelunky Black Market?

I'm soo glad they didn't kill Sara. She is for all intents and purposes Black Canary sans the name. Lotz has better chemistry with Amell anyway.

That ex-mercs line had me wondering. How are they "ex mercs" wouldn't being a part of a private security firm mean you are currently a mercenary? OR are tehy trying to imply that military service is being a merc.

ya know it's whole non-linear constantly flashing back to another thread thing may not of been the strongest of spines but this was still an episode that was a lot of fun to watch.

I to am bummed that Waller isn't CCH Pounder like in the animated series, and Pounder would have that air of dropping someone like Bronze Tiger or Deadshot like nothing cause she a ruthless mofo. Still it got someone else from Spartacus on the cast so I won't complain to much. O if only Deathstroke gets to meeet…

A suicide squad film/tv show could be b-movie mission impossible plots with decent writing and be awesome. Plus weekly red shirts! Who dosen't like red shirts….until they get liquified or something.

Just got done watching the Pilot, sounds like it might be the best of the episodes used for this review.

The first 11 eps are up and down but they all showed promes more often than not. You could see it wanted to do something. If you watched like the last 4ish eps of S1 and jumped into S2 it'd be good.

exactly this is a show with an extra textual background where you can drop a name and give meaning and character (even if it's more porential) in the moment than anything. It's oddly not leveraging this strength, unlike Arrow where that show just drops Ra's Al Ghul like it's nothing.

I want this show to be good. Now I also don't trust a word Jeff Leob says since he's a hack to me, and his past TV involvement hasn't exactly been "good".

O man those final 10 minutes of Nobel just monologuing pure sociopathy was EXCELLENT. And good on this show just ending on the big dramatic cliff hanger and not giving any sort of emotional conclusio.

Wow that was an excellent episode. Explorig varying views of masculinity all the while McConughey is tripping balls and going to warp speed in his shitty car.

What if this is NBC doing a very NBC thing and thinking HA, it's a riff on Homeland. that'd be freightin.

Question: So who has the final creative say so in Agents of SHIELD or should I say more creativd control? Is it Jeff Leob who's their head of TV or is it some ABC exectuive like most network shows?

Wish there was maybe one more scene with Shrapnel just to give him a bit more character beyond hey he's the unibomber. "Blast Radius" had a samey quality to it overall, its a nice slow start bt man I WANT DEATHSTROKE, which judging by the oreviews for next week we might just get.

Dose Marvel own the TV rigths to X-Men and Mutants? If not maybe this is how they start putting out the idea of the Inhumans (space mutants pretty much). The Injumans never made much sense to me than again when you read how Rocket Racoon was made on an acid trip it makes sense.

Hey look SHIELD wasn't totally shit this week! Yay. Who knew when you have character effected (or is it affected) by plot things feel better for the end user.