I might be alone here, but since we're talking DLC's I should admit to really love-hating Dead Money. It has such a haunting story and unique characters that stuck with me for a few days after it was over.

For me New Vegas is an improvement just in terms of moral grey areas. Fallout 3 weighted your decisions more heavily in terms of black or white, right or wrong. In New Vegas, more often than not you can try and do the right thing and screw everything up more monumentally than ever.

When you're right, you're right. That was the best community.

It was jarring in a not-so-good sort of way to hear the Dead Weather's Treat Me Like Your Mother pump over the soundtrack while they apprehended suspects. It seems like the show is trying on one hand to establish an insular and anachronistic world and on the other it wants to reassure us that it's not too different…

It's strangely one of the few dark spots in Comedy Central's lineup. They is on fire rite naw.

I guess my brain filled in the lover based on the way the song is sung- the "if you miss the train i'm on, you will know that I am gone" led me to assume they existed when that's never made explicit. The song registers to me as being more about shame and having changed beyond your own understanding through said…

I think what bothered me more than anything was the execution. That I was laughing during the big, hopefully frisson-inducing beats of the story left me with a bad taste in my mouth.

I would like to submit 500 Miles from the Llewyn Davis soundtrack (and many other things by many other people that existed way before that soundtrack ever did) largely because it's been repeating on a loop in my head for 2 some odd weeks and I hope this offering will appease whatever musical imp I pissed off.

Now a Zach Galifianakis re-write of August: Osage County I could get behind.

Trust me Burl, it's best you don't know.

I really thought it was something when i was 11. I also thought Spawn was "pretty good" and that Braveheart was "the best movie ever made because it's rated R, 3 hours long, and has really cool battle scenes".

I really need to get on that. I keep kind of putting it aside and telling myself "Ehhh you'll watch it eventually, fughedaboutit" knowing full well that I'd probably love it and thank myself for putting it on.

Ugh agreed on Peep World. I bought it on blu-ray for $2 when the Blockbuster near my house was closing down. "That cast! Why have I never heard of this? Boy Max, you've really hit the jackpot today!" I soon found out that $2 was two too much.

Corey Stoll looks like someone took Paul Scheer and stretched him out in a taffy machine.

Well to be clear I wasn't suggesting that the baby existed the entire shoot. I was saying that it was impressive for such a ramschackle production to achieve that effect. It's eyes move, the lids blink slowly and it moves and breathes convincingly. My brain registers it as a living thing, even though it resembles no…

Bruce Springsteen once compared hearing the opening snare shot on Dylan's "Like a Rolling Stone" to getting the doors of his mind kicked open. Eraserhead was that for me. I saw it when I was 15 and until that point I had aimlessly flitted around through the Horror, Comedy and Drama/Classics sections of the video…

It seems like an impossible effect for any movie of that time, regardless of budget. That it exists within a film that took some 5 years to shoot, with sets and lights assembled from studio discards is extraordinary. I love that Lynch hasn't told us how it was achieved. I can't think of another prop that's quite as…

Poussey and Nicky have character in a "what you see is what you get" kind of way. Plus they're both charming as hell.

He's a national treasure.

Doc Jensen, I'm lookin' at you.